Fujifilm X100S review

The Fujifilm X100S is an updated luxury compact with the world's fastest auto focus

T3 Recommends Award
Reasons to buy
  • +

    Retro styling

  • +

    Unique viewfinder

  • +

    Lots of manual controls

Reasons to avoid
  • -

    Very expensive

  • -

    Small LCD screen

  • -

    No dedicated video button

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Two years on from the X100, the new Fujifilm X100S claims improved AF speed, a 25% hike in resolution with a 30% decrease in image noise

Fujifilm X100S: Controls

For a 'compact' it's worth pointing out that the X100S is bulky and substantial - and reassuringly so given the price. It's more a camera for the pocket of a poacher's jacket than your jeans. Though when a snapper looks this good, you'll probably want to attach the strap and show it off.

Apart from minor stylistic modifications - the 'drive' mode selection (from whence video mode is selected, as well as panorama and multiple stills options) now has its own dedicated backplate button rather than being placed atop the scroll wheel for example - the camera largely looks and feels identical to its X100 predecessor.

The 'Raw' button of its forebear is now marked 'Q' for Quick Menu, so providing a more expansive selection of key settings at the fingertip. The actual number of buttons hasn't increased then, merely some functions have been swapped around.

Also remaining identical are the two rangefinder camera-like top plate dials, for adjusting exposure and shutter speed, while the lens ring that allows the user to manually adjust aperture by rotating it until it clicks into place at the right setting, even when the camera is switched off, has been held over, too.

Switching between manual and auto focus involves flicking a slider switch at the left-hand side of the camera, with a further lens ring provided for the purpose of focusing.

Usefully, when switching to manual, an enlarged image is displayed onscreen to better enable accurate focus. If you subsequently squeeze the shutter release button the view 'jumps back' to reveal the full frame.

Fans of retro cameras, who prefer their dials and levers' physicality and robustness to the minimalism of today's digital equivalents, will find much to admire here.

Fujifilm X100S: Screen

The main back screen on the X100S is a 2.8-inch LCD that offers 100% frame coverage - so what you see is what you end up with - and boasts a 460,000-dot resolution. With a lot of LCDs in this price bracket offering a semi-pro 920K dots or more, this feels like a feature that could also have been ramped up between generations.

The thick plastic screen surround that remains from its predecessor feels like a bit of a wasted opportunity; either the screen size could have been widened to the industry standard 3-inches, or the LCD could have been made angle adjustable - there appears room for both, though perhaps the latter option would have clashed with the Fuji's retro aesthetic.

Also of particular interest here is the X100S' hybrid viewfinder, which allows for eye-level shooting and is 'hybrid' by virtue of the fact that we have the choice of looking through clear glass for the optical viewfinder or switching to an electronic view through the same 'window'.

A dedicated button is provided for adjusting view mode', though there is also a built-in eye sensor ranged next to it for automatic operation. Very cool indeed.

Fujifilm X100S: Battery

The Fuji X100S' supplied NP-95 lithium-ion battery, which comes with standalone mains charger, offers users up to 300 frames from a full charge.

This is a respectable performance compared with the average compact and CSC, though falls short of most DSLRs that could alternatively be bought at this price, currently a street/online price of just under a grand.

Fujifilm X100S: Picture quality

A bright/fast maximum f/2 aperture lens meant that, as with the earlier X100, we were able to get some very professional looking shallow depth of field results shooting with the X100S.

This means it's great for portraiture where you want the eyes razor sharp, but other facial features more flatteringly soft, or if you want to focus on a particular aspect of a scene, but progressively blur the rest so it doesn't distract.

As we mentioned earlier, recording video involves first selecting the relevant drive mode via the backscreen display - there's no dedicated red record button like there is on 99% of compacts these days and an increasing number of DSLRs, so whilst the feature is here, it is better hidden than it needs be and is not instant.

Starting and stopping recording merely involves an initial and then subsequent press of the shutter release button. Also, as there's no zoom, if you want to adjust framing mid recording you simply have to walk forward or back.

A decent lens and sensor and the ability to focus manually to draw the eye to specific details does, however, mean that it's easy to get some rather lovely looking professional results.

Fujifilm X100S: Verdict

Like its predecessor, the 16 Megapixel APS-C sensor-toting Fujifilm X100S is a bit of a curio that sits between the old world and the new digital one.

It's again inspired by the operational aspects of rangefinder cameras - complete with top-plate dials and, here, Fuji's heritage-drawing film simulation effects modes - yet implementing that digital SLR-sized sensor at its heart.

Again, anyone who has lusted after a Leica camera, but could never afford one is directed to the Fuji as an alternative that looks and feels anything but budget.

While it's not a direct replacement for that DSLR, it may well tempt photo enthusiasts to leave it at home and take the X100S out instead anyway - particularly for candid portraits, street and travel photography - if they can justify the eye-watering price tag.

Fujifilm X100S release date: Out now

Fujifilm X100S price: £1099

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Gavin Stoker

Gavin Stoker has been writing about photography and technology for the past 20 years. He currently edits the trade magazine British Photographic Industry News - BPI News for short - which is a member of TIPA, the international Technical Imaging Press Association.