I recently resubscribed to Netflix (whilst everyone else is cancelling) just to watch a hidden-gem exclusive series – Sweet Tooth, seriously it's some feel-good fun – but now I'm back into the streaming service it's only gone and dug its hooks in and hung me out to dry... like a dry-aged pork shoulder.
Now, I don't know how it happened. Ok, so that's a lie: a bank holiday weekend is what happened (Memorial Day in the USA). And on a Monday without work to commit myself to I... well, I just went and binge-watched a whole season of Barbecue Showdown, didn't I?
MasterChef UK eat your heart out: this is one hoedown of a showdown of a cooking competition that, you guessed it, pits various pitmasters (some amateur, some more established pros in their field) in a head-to-head to create the best American BBQ across various challenges. Check out the trailer below (it's worth it for the brisket jiggle alone):
Ironically enough I don't even eat meat very often. Yet here I am, fixated on the telly, where I somehow munched my way through all eight episodes of season two in one go, watching the contestants cart about giant hunks of meat in an all-out carnivorous display.
I think one thing that particularly suckered me in is Melissa Cookston, the co-host and self-proclaimed 'Queen of the Cue', because she just looks so perpetually pissed off at just about everything. Sure, it's all in the edit, I'm sure she's a lovely lady – but she does seem saltier than some Spanish salt-cured cod on this show.
Kudos to the contestants too: whether they're cooking on open fire, directly on coals, or in make-shift pits made from filing cabinets or washer-dryers (no, really), there's enough variety in the challenges to keep it interesting. And unlike other cooking shows that go a bit too heavy on the life-story, this one never takes the cameras away from the studio setup. So it's all cook and all 'cue. And all good entertaining American fun.
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Mike is T3's Tech Editor. He's been writing about consumer technology for 15 years and his beat covers phones – of which he's seen hundreds of handsets over the years – laptops, gaming, TV & audio, and more. There's little consumer tech he's not had a hand at trying, and with extensive commissioning and editing experience, he knows the industry inside out. As the former Reviews Editor at Pocket-lint for 10 years where he furthered his knowledge and expertise, whilst writing about literally thousands of products, he's also provided work for publications such as Wired, The Guardian, Metro, and more.