Hey you, stop reading this old news story immediately: check out this full Parrot ANAFI review instead.
Although it's long been a leader in the drone biz, French brand Parrot is probably most associated with the more 'toy' drone end of the market. With the Parrot ANAFI, it's flying much more into market leader DJI's skies. It's goal: to shoot DJI down. But not literally, obviously. That would be bad.
Clearly built to dogfight, commercially speaking, with the likes of the fold-up, 4K DJI Mavic Air, Parrot ANAFI is ultra portable, folding up to a compact rectangle (with an attractive carry case – Gallic flair at its finest). It weighs just 320g, thanks to a chassis of carbon fibre filled with hollow glass microbeads.
It's also built to be a properly rugged, long-range video drone. The camera is a 21-megapixel, 4K number that can shoot in standard and 'cinema' (21:9 aspect ratio) Ultra HD. 21-meg stills can be taken in Jpeg or RAW format. Oh and there's a 'lossless' digital zoom as well. It's the first ultra-portable drone to boast a a 180-degree, vertically-rotating camera.
Folding up and unfolding is completely simple, with no buttons to push or knobs to turn. It comes bundled with the equally quick to unfurl Parrot Skycontroller 3, into which you slot your phone for joystick navigation control and visual feedback.
Charging via USB C, ANAFI flies for up to 25 minutes and, using GPS and 'smart battery' tech, returns to you when the juice is running low.
ANAFI has a wide-angle (110º) camera mounted on a 3-axis gimbal which gives mechanical stabilisation, in addition to digital stabilisation via the app. The gimbal has a vertical tilt of fully -90° to + 90° as well as being able to look -40° to + 40° from port to starboard.
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By oversampling, ANAFI gains the equivalent of 2.8x lossless zoom when shooting in HD and 1.4x in 4K. You can then push that up to 3x zoom, but that will degrade the image quality slightly. Here are some sample shots taken on ANAFI-cam (not by me).
Some cracking Parrot ANAFI snaps
So the basic hardware is very solid, but Parrot has added a bag of digital tricks, including 'Dolly Zoom', which lets you automatically zoom in on a fixed subject while moving. So with no skill required, you get an effect "used by great movie directors, such as Alfred Hitchcock or Stanley Kubrick.
With four dual-band Wi-Fi antennae, one in each foot, Parrot says the ANAFI will "ensure an optimal connection with the remote control Parrot Skycontroller 3 regardless of the orientation of the drone," using a proprietary Parrot system.
From what I've seen (or heard) of it, ANAFI is reasonably quiet by drone standards, and Parrot claims it is "the quietest drone in its class".
There are two manual control modes. In Sport mode, ANAFI will go at up to 33mph, and take on winds up to 31mph. Film mode is, naturally, rather more sedate.
Via Parrot's new FreeFlight 6 app for iOS and Android you can trigger 'SmartDronies' (a selfie mode) so you can take shots like this absolute doofus.
You can also have the drone follow you as you parkour, mountain bike or stagger drunkenly through the urban or rural wilderness. Well, I don't know about you, but I'm now exhausted.
Duncan is the former lifestyle editor of T3 and has been writing about tech for almost 15 years. He has covered everything from smartphones to headphones, TV to AC and air fryers to the movies of James Bond and obscure anime. His current brief is everything to do with the home and kitchen, which is good because he is an excellent cook, if he says so himself. He also covers cycling and ebikes – like over-using italics, this is another passion of his. In his long and varied lifestyle-tech career he is one of the few people to have been a fitness editor despite being unfit and a cars editor for not one but two websites, despite being unable to drive. He also has about 400 vacuum cleaners, and is possibly the UK's leading expert on cordless vacuum cleaners, despite being decidedly messy. A cricket fan for over 30 years, he also recently become T3's cricket editor, writing about how to stream obscure T20 tournaments, and turning out some typically no-nonsense opinions on the world's top teams and players.
Before T3, Duncan was a music and film reviewer, worked for a magazine about gambling that employed a surprisingly large number of convicted criminals, and then a magazine called Bizarre that was essentially like a cross between Reddit and DeviantArt, before the invention of the internet. There was also a lengthy period where he essentially wrote all of T3 magazine every month for about 3 years.
A broadcaster, raconteur and public speaker, Duncan used to be on telly loads, but an unfortunate incident put a stop to that, so he now largely contents himself with telling people, "I used to be on the TV, you know."
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