8 of the best wired headphones that you'll love to plug in — welcome to the anti-wireless revolution

From Apple's affordable classic pair to the finest Grado over-ears, wired headphones will give you that retro vibe and reward you with compression-free sound

A selection of headphones
(Image credit: Future)

While retro-inspired gadgets are hot property right now, wired headphones (which could be labelled as vintage, due to their lack of modern features like wireless chips) have never really gone away.

Case in point: most high-end headphones have always featured a cable, because it just sounds better that way.

And Apple has never stopped selling its simple EarPods, though they're just more inclusive these days: 3.5mm, Lightning, and USB-C. They also cost just £19, so you can join the anti-wireless revolution without having to take out a bank loan.

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SENNHEISER HD 620S

Until now, Sennheiser's ‘600' range of over-ear headphones have been open-backed – they sound great but leak sound, to the annoyance of anyone nearby. The HD 620S are closed-back, and so nothing like as anti-social in this regard – but Sennheiser has somehow managed to retain the sense of air and space that's the hallmark of its open-backed designs.

£299.99, sennheiser-hearing.com

Two pairs of wired headphones

(Image credit: Photography: Neil Godwin)

MEZE AUDIO 99 CLASSICS (2ND GEN)

By combining balanced and insightful sound with an excellent build and finish, and throwing in a USB-C DAC dongle, Meze Audio has made the second generation of its 99 Classics very easy to admire. Smaller-headed listeners should try before they buy, though…

£319, mezeaudio.com

CAMPFIRE AUDIO ALIEN BRAIN

Given the name that's on them, let's not pretend to be surprised by the way these earbuds look or the price they carry. Almost as predictable is the stunningly direct, positive and controlled sound the Alien Brain earphones serve up – must be something to do with those five (five!) drivers per bud…

£999, campfireaudio.com

Two pairs of wired in-ear headphones

(Image credit: Photography: Neil Godwin)

MARSHALL MODE USB-C

They're necessarily small, of course, but the rock 'n' roll credentials are clear from the way they sound. The presentation has punch and drive, with a combination of detail and energy that turns the excitement in a recording all the way up.

£45, marshall.com

APPLE EARPODS

The lack of eartips remains a weird idea, but in every other respect the Earpods are a tremendously competitive product and arguably the best value item in the entire Apple line-up. Big, confident sound, sleek design and the usual pride of ownership that comes free with every Apple product makes these the best affordable wired headphones around.

£19, apple.com

Two pairs of in-ear headphones

(Image credit: Photography: Neil Godwin)

SHURE SE215

The SE215 have the usual Shure benefits of sky-high comfort levels, impressive scale and prodigious bass power – but what really sets these wired earbuds apart is the level of passive noise isolation that's provided by their carefully designed ergonomic shape and super-snug eartips. Which means you're able to listen to your tunes in peace, freed from most external distractions.

£109, shure.com

GRADO S750 SIGNATURE

The broad design of Grado's products doesn't seem to have changed much since the early '60s. And neither does the effortlessly dynamic, tonally convincing and beautifully poised sound that's the calling-card of the company's wired over-ear headphones, either.

£1,695, grado.co.uk

Two pairs of over-ear headphones

(Image credit: Photography: Neil Godwin)

FOCAL HADENYS

Lighter than they look and every bit as comfortable as they appear, the Focal Hadenys present a warm, informative and welcoming sound that's the aural equivalent of a cuddle. These tasteful open-backed charmers are the complete package.

£599, focal.com

Simon Lucas
Freelance contributor

Simon Lucas is a freelance technology journalist and consultant, with particular emphasis on the audio/video aspects of home entertainment. Before embracing the carefree life of the freelancer, he was editor of What Hi-Fi? magazine and website – since then, he's written for titles such as Wired, Metro, the Guardian and Stuff, among many others. Should he find himself with a spare moment, Simon likes nothing more than publishing and then quickly deleting tweets about the state of the nation (in general), the state of Aston Villa (in particular) and the state of his partner's cat.

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