Amazon has some really good deals on gadgets, but only for those with a Prime Membership. And while I admit that, compared to a high-value tech product, Prime Membership isn't that much, you know just as well as I do that Amazon will try to find a way to get you locked in.

Shop Insta360's Big Deal Days sale

A better way to buy gadgets is to find them elsewhere – preferably at the brand's own shop, which is exactly the case with Insta360. Better still, the company slashed the price of what I think is still the best 360-degree action camera, the X5.

The Insta360 X5 is the latest flagship 360-degree action camera from Insta360, packed with features aimed at creators, adventurers and anyone who wants maximum flexibility from their footage.

It has dual 1/1.28-inch sensors paired with a triple AI chip system to improve image quality, dynamic range and low-light performance. The camera can capture 8K/30fps 360-degree video, alongside 5.7K/60fps and 4K/120fps recording modes.

Like other 360-degree cameras, the X5's can record every angle simultaneously and then reframe shots afterwards in the Insta360 app. New additions include InstaFrame, which automatically generates ready-to-share flat videos while also saving the full 360-degree file for later editing.

The X5 features user-replaceable lenses, improved waterproofing down to 15 metres without a housing, and a new magnetic mounting system for quicker accessory changes.

Battery life is among the best in the category, with the 2,400mAh battery delivering up to 208 minutes of recording in Endurance Mode and fast charging that can reach 80% in around 20 minutes.

FlowState stabilisation and 360 Horizon Lock keep footage smooth and level, while upgraded microphones and built-in wind protection improve audio quality for vlogging, cycling and outdoor adventures.

Prime Day only starts next week... or does it? It looks like the online retailer giant has pulled the trigger early in 2026, with some discounts already appearing online, including offers on drones and action cams from everyone's favourite Chinese tech company, DJI.

Shop all DJI deals on Amazon

One that caught my eye is a deal on the brand's top-rated action camera, the Osmo Action 5 Pro. Currently, Amazon is selling the Standard Combo for only £233, the lowest price it's ever been. That's a whopping £72 (24%) off the recommended retail price for an action camera that's well worth it even at full price.

The Osmo Action 5 Pro Standard Combo is DJI’s flagship action camera package, featuring a next-generation 1/1.3-inch CMOS sensor that captures 40MP photos and 4K video at up to 120 fps, delivering impressive detail and strong low-light performance for an action camera.

It offers up to 13.5 stops of dynamic range, along with support for 10-bit D-Log M and HLG, giving content creators greater flexibility when colour grading footage.

The included Extreme Battery Plus can provide up to four hours of continuous recording, a significant improvement over previous generations and one of the longest runtimes available in the action camera category.

The Action 5 Pro features dual OLED touchscreens, making framing and reviewing footage easy from either side of the camera. DJI's renowned RockSteady 3.0 and 360° HorizonSteady stabilisation systems help keep footage smooth even during intense activities, while built-in subject tracking can automatically keep a person centred in the frame.

Additional highlights include 47GB of usable internal storage, Wi-Fi 6 connectivity, direct pairing with DJI microphones, and waterproofing down to 20 metres without a housing. The Standard Combo includes the camera, battery, protective frame, quick-release adapter mount, adhesive base and USB-C charging cable.

Action camera innovation has plateaued slightly in the last couple of years, at least when it comes to traditional GoPro-style models. There is a physical limit to how small optics and components can be without compromising the minimum focusing distance, and higher resolutions and frame rates will only get people so excited.

The new battleground among compact camera brands, seemingly, is vlogging gimbals. DJI had immense success with its Osmo Pocket series, so much so that it became the number one action camera brand in Japan in 2025. The DJI Osmo Pocket 4 added 107GB of internal storage and 4K/240fps slow motion to the already excellent camera.

It was only a matter of time before other brands decided to get in on the action, and while there are quite a few companies trying to launch their own take on the concept, the one rival everyone's been waiting for is Insta360. The 360º camera expert has teased its upcoming Osmo Pocket rival for quite a while, but now, it's finally here.

I’ve been testing the flagship Luna Ultra for almost a month, and I’m thoroughly impressed with it. The camera borrows a fair amount of its design from the big rival; as with action cams, there are ergonomic limitations to vlogging gimbals. However, it offers a ton of exciting new features, not to mention the excellent specs and camera performance.

Insta360 Luna Ultra review

Price and availability

The Luna Ultra was officially announced on 10 June 2026 and is available to buy now in Cosmic Black and Stellar White at Insta360, Amazon, Best Buy, and select retailers worldwide for $769.99 (~£575 / €667 / AU$1,098). The company says availability in Germany will follow at a later date.

At the time of writing, it's unclear how much the unit will cost in markets other than the US. The DJI Osmo Pocket 4 retails for £445 / €499 / AU$769, but it lacks the second camera, unlike the Osmo Pocket 4P, which is yet to be released and therefore isn't officially priced yet.

(Of course, DJI's vlogging camera isn't available in the US, so Insta360 has a big advantage over its imaging rival with the Luna Ultra.)

Design and build quality

One thing I noticed immediately as I lifted the gimbal out of its box is just how substantial it feels. At 233g, it's hardly heavy, but it's more than 20% heavier than the Osmo Pocket 4 and taller and wider, with a robust camera unit.

The latter is understandable, considering there are two lenses on the Luna Ultra. The dual Leica Summicron lenses offer up to 12x zoom and 6x lossless zoom. There are also 2x and 3x zoom options, which I assume are cropped versions of the second, 6x zoom lens.

The Luna Ultra uses a 1-inch sensor, which is quite large for such a small camera, allowing more detail to be captured and better low-light performance. For comparison, the GoPro Mission 1 Pro, DJI Osmo Action 6, and the Osmo Pocket 4 all have the same sensor size. Of course, physical sensor size is one thing, but it certainly doesn’t mean all of these cameras perform the same way.

In the case of the Luna Ultra, the unit adds a "triple AI chip" setup, which includes a 4nm chip and dual imaging chips, for better low-light performance. Historically, Insta360 cameras have been criticised for being too noisy in low-light scenarios, sacrificing colour accuracy for brightness. The Luna Ultra’s 1-inch sensor definitely helps with this.

The Insta360 X5 already has a triple-chip architecture, but it’s different from the Luna Ultra’s. For one, the 360-degree camera uses a 5nm AI processor, while the vlogging camera swaps it for a newer 4nm AI chip alongside dual imaging processors. To take low-light performance even further, the Luna Ultra also has the 4K60fps PureVideo mode, a dedicated setting to enhance clarity in low-light situations.

Back to the physical specs of the camera, the Luna Ultra has an “industry-first” detachable controller that lets you use the panel as a remote control. I’m not 100% sure it’s necessary to have on a camera with gesture control; how often would you need to control the gadget remotely?

I found myself not really using the controller off-camera, only when I shot 360 panos, but that’s such a niche use case that it doesn’t really justify the structural danger a detachable control panel poses.

It’s a moving part and, by default, more prone to damage. The gimbal head is already a liability, so it makes little sense to add even more risky components to the mix. The spring or plastic buttons that hold the controller in place can break, and it’s also more likely that you’ll lose the panel somewhere, rendering your Luna Ultra unusable.

The controls are also more laggy when the panel is detached (not terribly, but still), especially if you’re playing around with the zoom. This could be down to my using an early software version, but if you think about it, the remote is a sliver of a device, so it will have limited space for transmission components. There will be compromises.

On that note, Insta360 came up with a solution, not just to protect the remote but the gadget as a whole. The case is quite basic and makes the Luna Ultra bulkier, but it certainly does a decent job of easing your concerns about chucking the gimbal in your bag. Plus, it has accessory slots, such as for the wide-angle lens, that attach magnetically. Sweet.

The button layout on the Luna Ultra is slightly different from that of the Osmo Pocket 4. In addition to the joystick and record button, Insta360 included a zoom slider at the lower end of the handle. The two customisable buttons are located at the bottom of the rotating display, a better solution than DJI’s, which hides them under the display in vertical mode.

Performance

The Luna Ultra can shoot 8K video at up to 30 fps and 4K slow-motion video at up to 120 fps, while the low-light PureVideo mode is 4K@60fps. In addition to high-resolution videos, the Luna Ultra handles colours well and can shoot in Dolby Vision.

Dolby Vision is a high-dynamic-range (HDR) imaging technology that is said to enable “dynamic optimisation for every scene, or even every individual frame.” One of the main benefits of the technology is that it’s used by other companies and apps, enabling a more seamless post-production process.

One very cool thing about the Luna Ultra’s zoom capabilities is that it can do macro photos. The minimum focusing distance is 15 cm (~5.9 inches), but with the 12x zoom (equivalent of a 240mm telephoto lens!), you’ll get plenty close to your subject. 12x zoom isn’t lossless, but the camera retains a significant amount of detail.

There is only one issue with macro photography. As of now, there is no focus peaking on the Luna Ultra, so it’s pretty much impossible to tell where the focus is on the tiny display in broad daylight, or even in a decently lit room. I hope this will be added soon via a software update!

(The above video was shot on the Luna Ultra.)

On the question of 8K footage, there are very few platforms where you can showcase videos with such high resolution, so it’s best to treat the feature as what it is: a tool that enables you to crop into footage without sacrificing 4K resolution. Plus, it’s useful for things such as 12x zoom, which, again, looks pretty crisp considering it’s only digital magnification.

I was very pleased with the Luna Ultra's photographic performance. The images aren’t as sharp as a DSLR or a mirrorless, but the camera unit is a lot smaller, so what do you expect? The camera can shoot in RAW, with the maximum resolution in UltraPhoto mode being 37MP.

One of the many benefits of the Luna Ultra’s 3-axis mechanical stabilisation (it also has Electronic Image Stabilisation) is that even when you’re zoomed in, the footage isn’t shaky and photos aren’t blurry, either. Try holding a mirrorless with a 240 mm equivalent telephoto lens attached with one hand, and tell me the Luna Ultra compact form factor isn’t impressive.

Videos look balanced, and the camera provides plenty of settings to tailor the footage to your liking. In Basic mode, you can adjust exposure (I’d recommend going down to -0.3 or even -0.7 EV as default) and choose between the many colour profiles provided by the Luna Ultra.

You’ll find three Leica-branded options, as well as film-style filters I enjoyed using on the GO 3S Retro Bundle. Positive and negative film, CC (Colour Chrome or Colour Color-Positive) film, and vintage film look are just some of the options. You can also shoot in Dolby Vision and I-Log if you prefer to adjust colour in post.

I’ll be 100 per cent honest: I haven’t been playing around with the professional colour modes, purely because the footage coming out of the Luna looks good as it is, especially in good lighting conditions.

As for low-light performance, I couldn’t spot a significant difference between standard video and PureVideo modes in dimly lit scenarios (not full-on night). As long as there is some light, the triple AI chip and large sensor will do their magic without triggering any special modes. I’ll report back once I've tried the Luna Ultra in an after-dark setting.

Battery and charging

Battery life is one of the Luna Ultra's stronger points. The camera uses a 1,550mAh battery, with Insta360 claiming up to four hours of runtime. While I didn't manage to completely drain it in a single session, my testing suggests that figure isn't unrealistic under lighter workloads.

Using a USB-C PD charger, the Luna Ultra jumped from 18% to 60% in just nine minutes and reached 77% after 16 minutes. The camera hit full charge in roughly 20 minutes, closely matching Insta360's claim of reaching 80% in 23 minutes.

During charging, power draw initially hovered around 42W before gradually tapering off as the battery filled. The body became slightly warm but never uncomfortably hot, with charging speeds occasionally dropping to protect the battery from overheating.

One interesting quirk is that the detachable control panel isn't prioritised during charging. The main camera unit is replenished first, before power is redirected to the controller.

For battery testing, I recorded 4K/60fps video continuously for 22 minutes, followed by a short cooldown period and then 44 minutes of 8K/30fps footage. After a combined 66 minutes of recording, the battery still had 59% remaining.

The camera became warm during extended recording sessions but never excessively so, and there were no overheating warnings or unexpected shutdowns.

Based on these results, the Luna Ultra appears capable of comfortably handling a full day of casual shooting, while the rapid charging speeds make topping up between filming sessions refreshingly painless.

Verdict

The Luna Ultra is a compelling first entry into the vlogging camera category from Insta360. Rather than producing a straightforward Osmo Pocket clone, the company has added enough genuinely useful features to make the camera feel distinct. The dual Leica lens setup, up to 12x zoom, strong macro capabilities and surprisingly photography-focused feature set give it a character of its own.

Video quality is excellent, with crisp 8K footage, Dolby Vision support, effective low-light performance and stabilisation that remains impressively smooth even when shooting at longer focal lengths. Add in fast charging, strong battery life and expandable storage, and the Luna Ultra feels like a mature product rather than a first attempt.

Not everything is perfect. The detachable controller feels more like a solution looking for a problem, and its removability introduces another potential point of failure on a device that already carries a delicate gimbal mechanism. The lack of focus peaking is also frustrating, particularly given how much emphasis Insta360 places on macro photography and zoom shooting.

Those shortcomings feel more like software and design niggles than fundamental flaws. What impressed me most during testing was how versatile the Luna Ultra proved to be. It's an excellent video camera, a surprisingly capable stills camera and a genuinely creative tool that encourages experimentation. If Insta360 can continue refining the software experience, DJI's dominance of the pocket gimbal market might not look quite so secure anymore.

GoPro has been busy so far in 2026. Not because the company launched a flood of new products, but because it spent much of the year preparing for what might be its biggest release in years.

The Mission Series is the company’s most important product in years, not just because it uses a brand-new chip, but also because a lot is riding on its success. So, how good is it?

"It's not Hero 14. It's Mission 1."

Before we go any further, it’s important to note that the Mission cameras aren’t to replace the Hero series. GoPro says the Hero line has been pulling the company in two directions for years, with some consumers wanting smaller, lighter, simpler cameras, while professionals demanded better image quality, low-light performance and production features.

The Mission Series is designed for the latter group. If you want a do-it-all compact camera for POV videos, the GoPro Hero 13 Black is still your best option. However, if you prioritise low-light performance, image quality and battery life, the Mission Series appears to offer significant advantages over the Hero line.

GoPro says a huge amount of time has been devoted to optimising the Mission Series’ performance via the new one-inch sensor, larger pixels and GP3 processor; the company clearly sees low-light performance as one of the headline upgrades over Hero and rival action cameras.

Professionals will also appreciate features such as 10-bit colour, GP Log 2, timecode sync, 240 Mbps recording, HDMI output, 32-bit float audio, and the interchangeable-lens Mission One Pro ILS. The Mission cameras also allow filmmakers to record footage using the full sensor width and height (“open gate”), providing more flexibility in post-production.

"It's really a cinema camera."

I’ve been testing the Mission 1 Pro for a few days, and it’s an impressive piece of equipment. It has a distinctly GoPro feel, but the camera is much more versatile than the Hero ever was. I’m not a professional camera operator, even though I made money in the past as a photographer (mainly properties and weddings).

I mention this because my testing probably doesn't reflect exactly how GoPro intends the Mission 1 Pro to be used. In the last few days, I couldn’t help but treat the camera as a GoPro, looking for ways to capture action or POV footage. As mentioned above, the brand says the Hero is better for these purposes.

What should one use the camera for, then? I tried shooting portraits, but the lens is quite wide, meaning I had to get uncomfortably close to people to fill the frame. That's fine for landscapes or action, less so for human subjects.

I’m yet to test low-light performance, as there is plenty of light around at the moment, so I will have to create low-light scenes at home somehow to see how the Mission 1 Pro performs in lower lux levels.

Dynamic range is impressive. Backlit subjects, even when the light source is the midday sun, will have plenty of details left to work with in post. Not to mention, the bright blue sky remains recognisable with minimal loss of detail. So far, dynamic range has been one of the camera's strongest attributes.

"You just don't need to worry."

Battery life saw a massive boost, thanks to the new chip. GoPro claims the camera won’t overheat even in an unventilated room, which has historically been an Achilles' heel for the brand. I’ve been using it during the hottest bank holiday weekend in recent memory, and not once has the Mission 1 Pro maxed out from the heat.

It’s all the more impressive considering the actual camera body isn't much larger than the Hero 13 Black. The lens housing is noticeably larger to accommodate the bigger sensor, yet the camera still uses the same Enduro batteries as previous generations. You can use standard Enduro batteries, and they will work just fine in the Mission Series.

If it uses the same batteries as before, how can the Mission 1 Pro run for so much longer without overheating? It’s all down to the new GP3 chip, optimising tasks in the background. GoPro has clearly found a way to utilise AI effectively, rather than just giving you yet another AI assistant.

"We're never interested in generating any type of content."

GoPro's approach to AI is focused on machine learning rather than content generation. Instead, the brand positions AI as a behind-the-scenes assistant that helps optimise settings, colour and stabilisation rather than inventing pixels or creating content.

Even though the emphasis is on the pro users, the Mission 1 Pro has a ton of preloaded shooting modes, including Sport POV, dive, vlog, etc. The camera can also track subjects, a feature I thoroughly enjoyed using. Essentially, the Mission 1 Pro can ‘follow’ you around without moving (to a certain degree), creating more dynamic footage than standard action cams.

AI is also used to further enhance low-light performance. The new GP3 processor includes a dedicated Neural Processing Unit (NPU), which GoPro says is heavily involved in its low-light processing pipeline. The company claims it uses AI models for noise reduction, detail preservation, dynamic range optimisation and balancing image cleanliness against excessive processing.

“The ultimate versatile camera"

I’m a bit torn when it comes to evaluating the GoPro Mission 1 Pro. On the one hand, it is the most impressive camera GoPro has ever put out. The large sensor, new processor and improved battery life make it the most capable camera GoPro has produced to date.

On the other hand, the brand wants the Mission Series to transcend action cameras and to be treated as an alternative to larger cine cameras. GoPro isn’t trying to create a better Hero; instead, it wants the Mission Series to be used for Netflix movies and other professional productions.

It's impressive in practice, not just on paper, but I need more time with the camera before deciding if it truly delivers on GoPro's ambitions. So far, the signs are encouraging.

The Mission 1 Pro is available to pre-order now from GoPro UK, GoPro US, GoPro EU and GoPro AU, with prices from £600 / $700 / €700 / AU$1,100.

I love Insta360’s approach to making the most of its “old” tech instead of just churning out newer and newer products just to claim higher frame rates or more pixels than its competitors.

Last year’s Flash Print Bundle is a good example of this, adding a printer to the Insta360 Ace Pro 2 and effectively turning it into a high-resolution Polaroid rival. It was a clever accessory to an already handy product, extending its versatility beyond what was originally intended.

The brand’s latest launch doubles down on this mentality, but instead of using the flagship model, it focuses on another fan-favourite model, the dinky Insta360 GO 3S.

The pill-shaped camera has been popular with creators thanks to its compact form factor and 4K resolution, but the new bundle might make it equally sought after among those who care little about action cameras.

Pocket spy fantasy

The GO 3S Retro Bundle combines the GO 3S with the Retro Viewfinder accessory, creating a small camera akin to one James Bond might have used on a mission in the 70s. You know, the one he took out of his tuxedo pocket to snap some sneaky photos of documents.

As the name suggests, the accessory has a physical viewfinder, something even modern mirrorless cameras often lack. Granted, it’s a pretty simple setup and consists of a small angled mirror in the Retro Viewfinder’s body, but it does make a difference when you’re framing your shots.

The only caveat of the viewfinder is that it only really works when you look at the camera from above. Rotating it for vertical shots turns the viewfinder to the side, which means you have to shoot towards one of your sides if you want to see what’s going on in the viewfinder.

Tiny camera, surprisingly versatile

The GO 3S is still the same with its 39 weight and 4K video capability. You can use the camera without the Retro Viewfinder, opening up a whole host of creative use cases. As I mentioned in pretty much all my GO Series reviews (most recently in my Insta360 GO Ultra review), the only limit to its use is your own creativity, not hardware limitations.

Well, there is another one, namely battery life, but Insta360 thought of this, too, with the GO 3S Retro Bundle. The included Battery Pack extends recording time to up to 76 minutes and supports charging while recording. Neat.

Retro looks, modern workflow

App connection has always been an integral part of the Insta360 experience, and it’s the same with the GO 3S Retro Bundle. The camera can be operated without touching your smartphone, but the film filters – Negative Film, Positive Film, CC Film, NC Film, GR-F, Mono, and Vintage Vacation – can only be accessed via the app.

This created a funny situation where I often had the app open, cycling through the different filters while holding the camera with my other hand. A mix of retro and modern shooting, I say! Of course, you can just pick a filter before you set off and use that all day, which is probably the most hassle-free option.

Charm doesn’t always mean practicality

It’s probably just me being a fan of stills, but I mainly used the GO 3S Retro Bundle to shoot photos, even though it’s actually perfectly capable of recording 4K videos.

And despite my best efforts to time the shutter, I ended up with a bunch of odd photos with the camera half-rotated or in the process of being put away. The beep is quite loud, so I turned it off, but since there is no other feedback (e.g., tactile) when the camera is exposed, you can only guess whether you’ve taken the photo or not.

Another thing to note with the GO 3S is that, like most action cameras, it has a wide-angle lens, equivalent to a 16mm lens on a 35mm camera. So wide, in fact, that it’s easy to get your finger, the one pressing the button, to appear on the image. For the same reason, don’t expect the GO 3S to be amazing for portrait photography.

It’s not impossible to shoot good portraits, but you have to be very close to your subject, which makes it only suitable for photos of people who know you’re taking a photo of them. Again, there are a ton of creative uses I probably haven’t even thought about, let alone tried, but portrait or macro photography ain’t those.

One extra trick too many

The Bundle comes with an NFC Custom Skin, allowing you to tap the camera with your phone to access the Insta360 app. I found this feature somewhat redundant, since opening the app on the phone is hardly cumbersome. I appreciate that some people appreciate not having to look for the app on their phones, though.

Imperfect photos never looked so good

All that said, I love the vintage-y look of the photos coming out of the camera. The sensor is tiny, so it certainly isn’t worth pixel-peeping your images, but they have a cosy feel and a pleasing colour balance. The fact that you can choose between quite a few built-in (and handsome) filters is a real boon.

The Insta360 GO 3S Retro Bundle is available today from the Insta360 store in Canvas White and Classic Red. It includes the standalone camera, Retro Viewfinder, Battery Pack, NFC Custom Skin, a Strap, Magnet Pendant, Lens Guard (pre-installed) and a USB-C to A Cable.

Two storage options are available: 64GB and 128GB, priced at $300 / £260 / €300 / AU$470 and $320 / £240 / €280 / AU$500, respectively.

For those who already have a GO 3S, the Retro Viewfinder is also available on its own for $48 / £46 / €55 / AU$80.

GoPro could be heading toward one of the biggest shake-ups in its history after the company confirmed it is exploring a potential sale or merger following growing interest in its defence and aerospace ambitions.

The action camera giant revealed during its Q1 2026 earnings call that it has formally launched a strategic review process following multiple inquiries related to its recent expansion beyond the traditional creator and consumer camera markets.

GoPro founder and CEO Nicholas Woodman said the company believes there is “unrealised value” in its technology, intellectual property and manufacturing capabilities, adding that the board is now evaluating “strategic alternatives” to maximise shareholder value.

“We received several inbound inquiries related to M&A,” Woodman explained during the earnings call. “The range of interest led us to make the decision that we should run a process to evaluate what kind of value we could unlock on behalf of shareholders.”

The move follows GoPro’s April announcement that it was formally exploring opportunities in the defence and aerospace sectors with the help of consulting giant Oliver Wyman.

The company said its cameras are already used in “demanding defence, government, and aerospace applications” where durability, stabilisation and image quality are mission-critical.

From mountain bikes to space missions

GoPro’s growing aerospace ambitions already appear to be gaining traction.

During the call, Woodman revealed that modified GoPro cameras were recently used externally on NASA’s Artemis II Orion spacecraft, while off-the-shelf models were also deployed inside the spacecraft to capture footage for an upcoming National Geographic documentary.

“Everyone at GoPro is deeply honoured that our cameras played even a small role in the historic Artemis II mission,” Woodman said. “It’s incredibly meaningful to all of us.”

A very different kind of GoPro camera

The strategic announcement also arrives just weeks after the launch of the new MISSION 1 Series, which arguably represents GoPro’s most ambitious hardware push in years.

The lineup includes the MISSION 1, MISSION 1 PRO and MISSION 1 PRO ILS, the latter featuring an interchangeable lens system compatible with Micro Four Thirds lenses.

Woodman described the cameras as “the world’s most compact cinema camera line” and said the new models are designed to appeal to professional filmmakers, television producers and high-end creators in addition to existing GoPro users.

The new cameras also introduce a 50MP 1-inch sensor and GoPro’s next-generation GP3 processor, with the company heavily emphasising professional-grade video performance, thermal efficiency and reliability.

It’s a notable shift for a company that has spent years competing largely in the action camera category against rivals such as DJI and Insta360.

The financial backdrop paints a tougher picture

The strategic pivot comes amid a difficult financial period for the company.

GoPro reported Q1 revenue of $99 million, down 26% year over year, while camera sell-through fell 29%. Subscription revenue remained flat at $27 million, while subscriber numbers declined 8% to 2.26 million.

The company’s gross margin also dropped sharply from 32.1% to 4.3%, partly due to component purchase commitments and slow-moving inventory charges.

Even so, GoPro appears keen to frame the current moment as the start of a broader transformation rather than a retreat.

“We’ve just entered a new era of professional performance capability with the launch of our new MISSION 1 series of cameras,” Woodman said. “We’re excited for the impact they can have on our business.”

[via GoPro Investor Relations]

Seemingly, there is a bit of a lull in action camera innovation. One might argue that not much has changed since Insta360 launched its Leica co-branded Ace Pro camera, which was the company's first GoPro-esque model with 4K resolution and a flip-out display.

Shop all Insta360 deals on Amazon

It has now been superseded by the Ace Pro 2, but if there is anything we learned from the recent Artemis II NASA mission, it is that you don't need the latest camera gear to take amazing photos (being in space helps, though). The Ace Pro is currently 30% off at Amazon, the cheapest it's ever been!

The Insta360 Ace Pro is a flagship action camera designed to rival GoPro and DJI, with a strong focus on image quality and AI-assisted shooting.

It uses a comparatively large 1/1.3-inch sensor paired with a Leica-engineered lens, helping it capture more light and improve dynamic range, especially in low-light conditions.

Video is a headline feature, with support for 8K at 24fps, alongside 4K at up to 120fps and 1080p at 240fps for slow motion. Still images top out at 48MP, and the camera supports RAW shooting.

A standout design element is the 2.4-inch flip touchscreen, which makes framing yourself far easier than on most fixed-screen action cams. It also features Insta360’s FlowState stabilisation and Horizon Lock, plus AI tools like Highlights Assistant and low-light “PureVideo” mode.

Other key specs include waterproofing to 10m, fast charging (80% in ~22 minutes), and a 1650mAh battery delivering up to ~90 minutes of 4K recording.

Insta360 is busy launching a million new products in the near future, branching out into new categories, but for now, the brand is best known for its 360º action cameras. And the best of the bunch is X5, which just hit its lowest-ever price on Amazon.

Shop all Insta360 deals on Amazon

The camera already dropped to this price briefly in early March, but quickly shot back up to full price – until now. Fancy saving £95 on some top tech? Of course you are. Thanks to its replaceable lenses, the X5 is pretty family-friendly and can be used on holidays in the pool and the sea.

The Insta360 X5 is a flagship 360 action camera built around dual 1/1.28-inch sensors, delivering significantly improved low-light performance and dynamic range compared to previous models. It captures 8K 360° video at up to 30fps, alongside 5.7K at 60fps and 4K at up to 120fps for smooth slow motion.

Still photography tops out at 72MP 360 images, with Insta360’s PureShot and HDR processing enhancing detail and colour. The camera can also function as a traditional action cam via single-lens 4K60 shooting, adding versatility.

A standout feature is its replaceable lens system, improving durability for action use. It’s also waterproof to 15 metres, weighs around 200g, and features a 2.5-inch touchscreen.

Battery life is strong, offering up to 185 minutes in endurance mode, supported by a 2400mAh battery and fast charging.

AI-powered features like reframing, invisible selfie-stick effects, and advanced stabilisation round out a camera designed for creators who want flexibility without sacrificing image quality.

GoPro has finally revealed how much its new Mission 1 cameras will cost, and the numbers confirm what many suspected from the start.

The standard Mission 1 will retail for $599 / £529 / €599 / AU$950, while both the Mission 1 Pro and the upcoming Mission 1 Pro ILS are priced at $699 / £599 / €699 / AU$1,100.

In the case of the flagship Mission 1 Pro ILS, this price is for the body only, so the lens price will be added on top.

GoPro doesn't seem to be selling Micro Four Thirds (MFT) lenses on its website and relies on third-party products to kit out its new camera.

On a mission to move up

All three Mission cameras are built around the same core platform, built around a 1-inch, 50MP sensor and GoPro’s new GP3 processor.

The base model supports 8K at 30fps, while the Pro pushes to 8K at 60fps, alongside high-speed modes reaching 960fps at 1080p.

The inclusion of 10-bit GP-Log2 colour, up to 240 Mbps bitrate, and Open Gate recording further reinforces that the Mission 1 Series is designed with post-production in mind rather than quick social clips.

The cameras support 32-bit float recording via a four-mic array, a feature typically reserved for dedicated audio gear.

Why GoPro thinks it can charge more

GoPro is clearly trying to move away from the standard action camera market with the Mission 1 Series.

The company appears to be targeting creators who want a single, compact camera capable of both rugged shooting and high-end production workflows.

That’s reflected in features like log colour profiles, extended dynamic range (up to 14 stops), and improved thermal performance for longer recording sessions.

GoPro has spent years competing on stabilisation, durability and ease of use, but rivals like DJI and Insta360 have caught up, and, in some areas, overtaken it.

Moving upmarket allows GoPro to differentiate again, this time on image quality and professional-grade capabilities.

A different kind of GoPro

At $599–$699, the Mission 1 series is undeniably expensive compared to the rest of the action cam market.

But the larger sensor, high-bitrate 8K video, pro-level audio, and, in the case of the ILS, interchangeable lenses, make these cameras sit closer to compact cinema tools than helmet-mounted rugged units.

That, ultimately, is why GoPro believes it can get away with the premium pricing. Will they succeed? We'll find out soon enough.

Head over to GoPro for more information on its new cameras.

[via Yahoo Tech]

Insta360 has officially brought its upcoming Luna vlogging camera to NAB 2026, but you’d be forgiven for missing the details.

The company, best known for its 360º action cameras, is showcasing the device behind a frosted glass display that obscures most of the design, turning what should be a product reveal into something closer to a controlled tease.

Even through the haze, a few key details are now confirmed, including the names of the two models, Luna Ultra and Luna Pro, with the former sporting a dual-lens setup.

The dual-lens approach, if accurate, could address one of the biggest limitations of devices such as the DJI Osmo Pocket 4, which has only one optical unit with a 2x 'lossless' zoom option.

The Luna Ultra's second lens would open the door to optical zoom or multiple focal lengths, bringing the shooting experience closer to what creators expect from smartphones.

DJI is rumoured to launch a Pocket 4 model with two lenses, but nothing has been confirmed by the brand, which is busy working through its busy April release schedule.

No confirmation but plenty of clues

Insta360 hasn’t confirmed specifications yet, but the company has made one partnership very clear.

Leica branding is prominently displayed alongside Insta360 on the booth, reinforcing that the camera is co-engineered with the German optics specialist.

This mirrors the approach Insta360 took with the Ace Series and suggests the Luna will benefit from Leica-tuned colour profiles, imaging algorithms, and potentially lens-design input.

The partnership also puts Insta360 on a similar path to DJI, which has long worked with Hasselblad on its higher-end drones, such as the Mavic 4 Pro.

Similarly, the Ace Series was initially launched in two versions, Ace and Ace Pro, although the non-Pro version didn't make it to the second generation.

A calculated tease

The decision to hide the camera behind frosted glass looks deliberate, with trade shows often used to generate buzz ahead of a full launch

This approach allows Insta360 to confirm key features without giving away the full design or final specifications.

Two colour options, black and white, are also visible through the display, hinting at a more lifestyle-focused positioning alongside its technical ambitions.

Insta360 hasn’t shared a release date yet, but with Luna already on the show floor, a full reveal is likely not far off.

Rode has unveiled Sonaura, a new microphone platform, and while it’s being pitched as a major leap in audio engineering, the real story is what it could do for the gadgets you actually use.

Announced at this year’s NAB Show in Las Vegas, the same event where brands like GoPro, DJI and Insta360 are showing off their latest cameras, Sonaura is designed to bring high-end sound recording to devices that have always struggled with audio.

Most compact devices, such as drones (or drone controllers), wireless mics, and even smartwatches, rely on tiny microphones that prioritise size over quality.

That’s why even the best action cams can shoot stunning 4K footage but still sound thin, noisy or distant.

Sonaura, a new type of MEMS (micro-electromechanical systems) microphone, aims to change that.

It was developed in partnership with Infineon, measuring just 4mm by 5mm, and Rode claims it can deliver audio quality close to that of much larger, studio-grade microphones.

Traditional microphones, like Rode's NT1, are often hand-assembled, which can lead to small inconsistencies between units.

Sonaura, on the other hand, is built using semiconductor manufacturing, the same kind of process used to make chips, which allows for far greater precision and consistency at scale.

As a result, Rode says the mic has extremely low self-noise, meaning less background hiss, and can handle very loud sounds without distortion.

It’s also more resistant to interference and environmental factors like dust and moisture, thanks to a sealed dual-membrane design.

Because Sonaura is so small, the tech can be integrated into devices where high-quality audio was previously impossible.

For brands like GoPro and DJI, that could mean future cameras that no longer need external mics to sound good.

For creators, it could remove one of the last major compromises in portable setups.

Rode calls Sonaura the biggest leap in microphone design in over a century – a bold claim.

The reality will depend on how the tech performs once it starts appearing in real products.

The first device to use it will be a next-generation lavalier mic from Lectrosonics, with wider adoption expected across Rode’s own lineup and beyond.

Head over to Rode to learn more about the new technology.

I test a ton of camera gear at T3, so I hope it makes sense that, now and again, I will miss one. I remember when DJI’s Pocket 3 was launched. I was up to my neck in work, so I passed on the opportunity to test it, thinking it was just another gimbal camera. DJI must have had a drone coming out at the same time, so I decided to focus on that.

Little did I know how influential the Pocket 3 would become over the next couple of years. People absolutely gobbled it up, and it ended up disrupting the vlogging/creator community, thanks to its compact form factor, excellent video quality and ease of use. In fact, the camera was so successful that it made GoPro the best-selling action camera brand in Japan for the first time.

I was kicking myself for missing the chance to try the Pocket 3, so when rumours started circulating about its successor, I knew I had to seize the chance to try it. The Osmo Pocket 4 is here, and it’s no longer a vlogging camera: it’s an ultra-compact cine camera for prosumers and professional creators alike.

I’ve been testing Pocket 4 for the last couple of weeks and was thoroughly impressed with its performance, from subject tracking and battery life to low-light performance and beyond. Similar to the company’s Mini drone series, the Pocket 4 stops just short of being a professional piece of video-creation tool, all in a rather user-friendly package.

DJI Osmo Pocket 4 review

Price and availability

The standard Osmo Pocket 4 is priced at £445 / €499 / AU$769, with the Essential Combo at £429 / €479 / AU$749, and the Creator Combo at £549 / €619 / AU$959. It's available now at DJI.

That places it marginally under the Osmo Pocket 3’s original launch pricing of £489 (standard) and £619 (Creator Combo), suggesting DJI is keeping the entry point competitive despite the spec upgrades.

These days, DJI sells the Pocket 3 for less at £389 / £499 (Standard and Creator Combo, respectively), and there are often offers that push the price all the way down to £329. Overall, not a huge price increase (or, looking at the original selling price, a reduction), which puts the Pocket 4 spec and feature upgrades in a much better light.

As it is these days, sadly, DJI doesn’t officially sell the Pocket 4 in the US through its official website. You will likely be able to find it through third-party retailers. Availability in the UK, EU and AU looks pretty straightforward.

Design and build quality

The Osmo Pocket 4 retains DJI’s signature pocket-sized form factor, but the specs show a slightly more substantial body than before. It measures 144.2 × 44.4 × 33.5 mm (L×W×H) and weighs 190.5g, giving it a more solid, balanced feel in the hand while remaining compact enough for everyday carry.

The vertical design is unchanged, with the camera and gimbal housed at the top of the unit and the controls and display integrated into the slim handle.

At the front, the Pocket 4 features a 2-inch touchscreen with a resolution of 556 × 314 and a peak brightness of 1,000 nits, a big brightness bump over the predecessor.

The screen continues to act as both a monitor and a primary control interface. You can turn the camera on and off by twisting the display, which locks into place with a satisfying click.

The Pocket 4 retains a joystick-style controller, but this now offers more precise input, with gimbal speed increasing the further the stick is pushed.

Alongside this, DJI has introduced a clearer button layout, including a dedicated zoom control for quickly switching between focal lengths and a customisable function button that can be mapped to frequently used settings such as recentering the gimbal or switching shooting modes.

A small caveat of the new button layout is that the additional buttons are hidden under the rotating screen, so they aren’t visible or, in fact, usable when the Pocket 4 is in vertical mode.

The camera module is built around a 1-inch CMOS sensor, paired with a 20mm equivalent lens with an f/2.0 aperture and a focus range from 0.2 metres to infinity.

This sits on a three-axis mechanical gimbal, offering a wide range of motion across all axes, including tilt from -180° to 98° and roll from -220° to 63°. The system supports a maximum controllable speed of 180° per second.

Audio hardware is also integrated into the body, with three built-in microphones supporting spatial capture. Another big upgrade is the generous 107GB of built-in storage, which has transfer speeds of up to 800MB/s, along with microSD card support.

New features

The Osmo Pocket 4 builds on the foundation laid by its predecessor, focusing on expanding its capabilities. The camera system pairs a 1-inch CMOS sensor (same size as before) with support for 4K video at up to 240fps in slow motion, alongside an expanded 14-stop dynamic range and 10-bit D-Log recording.

These new additions alone push the Pocket 4 further into enthusiast and semi-professional territory, offering greater flexibility for colour grading and high-contrast scenes. The accompanying app hasn’t quite caught up with the professional processing idea (as far as I know) and only supports basic processing of 10-bit D-Log footage, which isn’t what most people would consider full colour grading.

A huge-huge upgrade is the introduction of 2x lossless zoom, giving you more control over composition without sacrificing image quality. The Pocket 4 also features the latest and most advanced subject-tracking system from DJI to date, with ActiveTrack 7.0, bringing improved stability, broader subject recognition, and support for tracking at higher zoom levels.

The Pocket 4 supports four-channel audio recording when paired with compatible DJI microphones, with the onboard system using three built-in microphones for spatial capture – good for group shots and interviews alike.

Camera performance

The Osmo Pocket 4 uses the aforementioned 1-inch CMOS sensor, paired with a 20mm equivalent f/2.0 lens. The focus range ranges from a fairly close 0.2 metres (well outside arm’s length) to infinity, making the camera versatile enough for everything from close-up vlogging to wider landscape shots.

I found the standard 1x zoom to produce quite a tight selfie composition, making it hard to cram more people into the frame, even with my long monkey arms, in vertical shooting mode. There is plenty of space for even three or four people if you’re shooting horizontally, though.

The camera supports 4K horizontal recording at up to 60 fps in standard mode, along with a full range of frame rates across 4K, 3K, and 1080p resolutions. Vertical video is also supported at up to 3K, which is plenty for TikTok and YouTube Shorts.

(In fact, both platforms will likely compress a 3K video into something closer to a 1080p resolution.) For slow-motion capture, the Pocket 4 can shoot 4K at up to 240fps, a massive increase from the Pocket 3’s 120 fps.

Image quality is backed up by a maximum photo resolution of 7,680 × 4,320 (approximately 37MP), with a wide ISO range of 50–12800 for stills. The electronic shutter spans from 1/8000s down to 4 seconds in photo mode. In video, shutter speeds adjust automatically or can be manually set within a more limited range, depending on the shooting mode.

The camera also supports a range of creative shooting modes, including timelapse, motionlapse and hyperlapse, with automated intervals and speed adjustments built in. Low-light performance is supported via a dedicated video mode up to 4K/30fps; however, it only works in landscape mode.

As well as the ‘lossless’ 2x zoom, the Pocket 4 also offers up to 4x zoom, although this is not available in certain modes such as low-light, slow motion and time-lapse.

Subject tracking and stabilisation

The Osmo Pocket 4 continues to rely on its three-axis mechanical gimbal, which, unlike purely electronic stabilisation systems, physically counteracts movement along the pan, tilt, and roll axes. Gimbal performance is smooth as butter, with the end footage looking shake-free even when you move the camera from side to side quite energetically.

Subject tracking has been upgraded to ActiveTrack 7.0, which supports tracking people, vehicles, pets, and other objects and can maintain focus even when subjects move unpredictably or briefly leave the frame. Tracking also works in conjunction with 2x zoom, making it easier to follow subjects at a distance without losing framing.

In my experience, the Pocket 4 locked onto subjects accurately. The camera will automatically highlight faces and objects, such as pets, in the frame; double-tapping them will activate tracking. The camera will continue to track objects even if they are temporarily obstructed until it reaches the extreme ends of the gimbal range. Tapping the screen again will immediately drop tracking.

Battery life and charging

The Osmo Pocket 4 is powered by a 1,545mAh lithium-ion battery (11.95Wh), which DJI says can support up to 240 minutes of operating time. By comparison, the Osmo Pocket 3 typically delivers around 160-166 minutes of runtime, meaning the newer model can run significantly longer before needing a recharge.

Charging speeds remain broadly similar. The Pocket 4 supports fast charging, reaching 80% in just 18 minutes and a full charge in approximately 32 minutes, closely mirroring the Pocket 3’s already quick top-up times. I can confirm that charge times are lightning-fast. I popped the Pocket 4 on the charge with 71% battery left, and 15 minutes later, it was already in the high 90s.

Verdict

As someone who’s a self-proclaimed expert on all things DJI but new to the Pocket series, I had a blast testing the fourth iteration of the camera. It’s an extremely capable recording device, and if you liked the previous version, you’ll love the Pocket 4. It’s better in almost every conceivable way and sells for less than the Pocket 3's original RRP.

That said, if you already own the Pocket 3, there’s little reason to rush out and upgrade unless you’re a professional creator or videographer. The older model isn’t just cheaper these days, it’s also every bit as capable as it was at launch.

If anything, recent high-profile shoots, including footage captured during the Artemis II mission, serve as a reminder that great photos and videos come down far more to how you use the gear than the gear itself.

Even though the upgrades are significant, the Pocket 4 doesn’t reinvent the vlogging camera formula, only improves it. The 2x zoom is nice, and so is the better subject tracking and slower slo-mo, but the Pocket 3 does have zoom, is very good at subject tracking and has 120 fps slo-mo.

All things considered, the DJI Osmo Pocket 4 is a brilliant evolution of its predecessor and offers all the features people love about the pocketable vlogging camera, and then some. If you’ve been thinking about getting a Pocket 3 but couldn’t quite convince yourself yet, the Pocket 4 might just be the nudge you’ve been waiting for.

GoPro has unveiled its highly anticipated Mission 1 Series a few days earlier than expected.

Even though we knew the brand was about to unveil new cameras at NAB this week, we didn't know just how far the GoPro was willing to go to change the narrative.

That said, based on the teasers the company has been putting out in recent weeks, we knew the new cameras would push the devices beyond traditional action cameras and into compact cinema territory.

“Anything you could do in Photoshop”

The range includes three models: Mission 1, Mission 1 Pro, and Mission 1 Pro ILS, built around a new 50MP 1-inch sensor (roughly 4× larger in surface area than the GoPro Hero 13 Black's 1/1.9" sensor) and the GP3 processor, with a focus on higher resolution, improved low-light performance, longer runtimes, and greater thermal efficiency.

Ahead of launch, GoPro’s Senior Manager of Image Processing, Alex Cashman, said that the goal was to bring advanced image processing directly into the camera.

“Anything you could do to an image in Photoshop is what my team trains the camera to do live while you’re recording,” he explained.

He said that with the Mission series, the team's aim was to deliver professional-level output without adding complexity for the user.

The Mission 1 Pro and Mission 1 Pro ILS support 8K video at up to 60 fps, 4K at up to 240 fps, and 1080p at up to 960 fps, as well as 50 MP stills and open-gate capture for flexible editing.

The standard Mission 1 offers 8K30 and 4K120 but retains the same sensor and processor.

GoPro is also pushing data rates higher, with bitrates reaching up to 240 Mbps, alongside 10-bit colour, HLG HDR, and the new GP-Log2 profile for more flexible grading.

While action cams have been pushing pixel count and low-light performance for years, the above specs are more often associated with far larger and more expensive camera systems.

Low light is no longer a weakness

Low-light performance has been a known limitation for GoPro, and it has been directly addressed here.

The combination of a larger sensor and updated image processing delivers up to 14 stops of dynamic range, improving detail in both shadows and highlights.

Cashman said the shift reflects how people now use GoPro cameras.

“We saw people using them more for vlogging and filming in cities at night. We wanted to make sure we did it right.”

Thermal performance and battery life have also been prioritised, with GoPro claiming more than five hours (!) of recording at 1080p30 and over three hours at 4K30 on a single charge, supported by the new Enduro 2 battery and GP3 efficiency gains.

“Unless you’re shooting in the most extreme mode, your camera’s going to run until it runs out of battery,” Cashman said.

A processor that actually changes things

The GP3 processor underpins most of these improvements, and, according to Cashman, it dynamically manages performance to balance power and efficiency.

“It knows when it doesn’t have to be working hard and when it does. It just runs much more efficiently across the board.”

The chip also enables AI-assisted image processing and scene optimisation.

GoPro is introducing 13 capture modes designed to handle specific scenarios, from vlogging and low-light shooting to underwater use.

These modes use scene detection and machine learning to automatically optimise settings, while manual controls remain available for more advanced users.

The Mission 1 Series uses a four-microphone setup with improved stereo recording and wind noise reduction, and supports 32-bit float audio to prevent clipping.

Bluetooth audio and external mic support via USB-C are also included.

The interchangeable lens twist no one expected

The new flagship Mission 1 Pro ILS is the most significant addition, as it creates a new class of ultra-compact mirrorless cinema camera.

It introduces a Micro Four Thirds mount, allowing you to attach interchangeable lenses.

Of all the upgrades, Micro Four Thirds support is the clearest sign of where GoPro is heading.

The Mission 1 Pro ILS is no longer limited to a fixed ultra-wide lens and can tap into a vast ecosystem of existing optics, from fast primes to telephoto zooms.

The Mission 1 Series as a whole also features a larger rear OLED display, redesigned buttons that are easier to use with gloves and a new lens system with a removable hood to reduce glare and improve durability.

The cameras are waterproof to 20 metres without a housing, with an optional case extending that further.

GoPro is aiming higher

Alongside the cameras, GoPro is launching a broader ecosystem, including a wireless mic system, an updated Media Mod, a new grip, ND filters, a higher-capacity battery, and creator-focused bundles with additional audio and stabilisation tools.

With the Mission 1 Series, GoPro is expanding beyond action cameras and targeting creators who might otherwise use mirrorless or compact cinema setups.

Cashman summarised the positioning clearly, saying that the goal is to deliver a professional-grade camera that retains GoPro’s durability and ease of use.

As he put it, “It’s everything a GoPro has ever been turned up to about a thousand.”

More information about the new cameras, including price and availability, is expected to be announced in the next couple of months.

Insta360 has released a new teaser for its upcoming compact camera, and it adds a key detail that shifts this from rumour to something much more tangible.

The device will be demoed at NAB 2026, and it looks ready to take on DJI’s Osmo Pocket line head-on.

Shared on Instagram, the teaser invites visitors to see the new product at the company’s booth in Las Vegas.

The image itself is deliberately blurred, but the camera appears to feature a dual-lens setup, something we haven’t seen in this category from DJI.

Even with heavy pixelation, the device looks like a compact, gimbal-mounted camera with two lenses sitting side by side.

That lines up with earlier hints from Insta360’s CEO, who appeared to reveal multiple unreleased cameras in a previous post.

Those earlier clues pointed to a project often referred to as “Luna”, described as a handheld creator camera designed to rival DJI’s Pocket series.

This new teaser doesn’t confirm the name, but it does reinforce the idea that Insta360 is about to enter this space in a serious way.

Two lenses could change how these cameras are used

A second lens opens up a range of possibilities that go beyond what current pocket cameras offer.

It could enable true optical switching between focal lengths or improve subject tracking by combining data from both sensors.

There’s also a strong chance Insta360 will lean into its software strengths.

The company already leads in areas like reframing and AI-assisted editing, so bringing that into a gimbal-style camera could give it a meaningful edge.

A timely challenge to DJI

The timing of the teaser feels deliberate, with NAB shaping up to be a major moment for creator gear, and DJI is widely expected to unveil the Osmo Pocket 4 around the same time.

GoPro is also said to reveal its new camera range, albeit aimed more at professional users.

Specs, pricing and release timing are still unknown, but the company has confirmed that attendees will be able to get hands-on with the camera at NAB between April 19 and 22.

That means we won’t have to wait long to see what this thing can actually do.

DJI has dropped a new teaser for the upcoming Osmo Pocket 4, and it doesn’t take much decoding.

In the short clip, the deliberately out-of-focus camera appears to “eat” a row of microSD cards before casually walking away.

It’s a playful way of suggesting that the next Pocket camera might not need them at all.

The brand even doubles down with the caption “More storage. More stories”, hinting that storage will be one of the headline upgrades when the camera launches on 16 April.

A not-so-subtle hint at internal storage

DJI Osmo Pocket 4 hasn’t been officially detailed yet, but leaks have been pointing in the same direction for a while.

Rumours suggest the camera could feature over 100GB of built-in storage, a significant jump from DJI’s usual reliance on removable microSD cards.

Action cameras like the DJI Osmo Action 6 already include built-in memory (around 64GB) alongside a microSD slot, but the Osmo Pocket 4's memory could far surpass this.

Internal storage is typically faster and more reliable, reducing the risk of corrupted files or dropped frames when shooting high-bitrate video.

It also simplifies the experience, removing the need to juggle cards and manage storage formats.

For a device like the Pocket series, which is designed for quick, handheld shooting, that kind of frictionless workflow could be a big win.

The trade-off creators might not love

The flip side of having built-in memory only is that external cards are cheap, easy to swap, and effectively give you unlimited storage on long shoots.

If DJI kills the SD card slot in favour of, let's say, better weather proofing, the camera could introduce new limitations, especially for creators shooting extended footage or travelling without access to a laptop or backup drive.

Hopefully, the Pocket 4 will offer the best of both worlds: speed and convenience on one hand, flexibility on the other.

Visually, the teaser doesn’t point to a major redesign. The silhouette of the camera is almost identical to that of the current model, suggesting DJI is sticking with a proven form factor.

DJI will reveal the Osmo Pocket 4 later this week, on 16 April 2026 at 12 PM GMT (8 AM ET / 5 AM PT).

You can sign up for updates about the Osmo Pocket 4 at DJI.

GoPro has quietly dropped some of the most striking space images we’ve seen in years, and they didn’t come from a traditional space camera.

The Artemis II mission will go down in history for a number of reasons, one of which is the variety of cameras the crew used to capture stunning photos of the Earth and the Moon.

Some of the most iconic shots we've seen so far were captured with an iPhone, while others were shot with a 10-year-old DSLR (the very capable Nikon D5) to capture those stunning space shots.

And while all images are beautiful, the ones that really blew my mind are GoPro's, which shared five photos from the mission on its social media over the last few days.

These include everything from Earthset behind the Moon to a near-total solar eclipse seen from deep space.

One frame captures the Moon in shadow with a glowing halo of sunlight, while another shows the Orion spacecraft drifting past a sharply detailed lunar surface.

There’s even a shot featuring Saturn and Mars as tiny points of light, something you’d expect from a telescope, not an action camera.

According to the captions, the footage was captured using a GoPro mounted on the Orion spacecraft during the crew’s journey.

Crucially, GoPro hasn’t confirmed which camera was used, a not-so-subtle hint at what’s coming next.

The omission that feels deliberate

As previously reported, GoPro is expected to unveil a new generation of cameras at NAB 2026 next week, powered by its upcoming GP3 chip.

The company has already teased major improvements in low-light performance, and if the space photos were taken using the next-gen GoPros, they appear to back that up.

Capturing usable footage in space is no small feat: lighting conditions shift dramatically, contrast levels are extreme, and noise can easily ruin darker scenes.

Yet these images look clean, detailed, sharp and surprisingly well-exposed.

It's worth reiterating that even though GoPros were always famous for their image quality, the photos shared by the brand are next-level stuff.

If this is indeed early output from a GP3-powered camera, it suggests that GoPro is finally addressing one of its biggest weaknesses: low-light shooting.

That said, the gorgeous photos raise more questions than they answer.

Is the camera positioned inside or outside the craft? How big is it? Does it use interchangeable lenses? Is GoPro operating it remotely, or are NASA / the astronauts responsible for the images?

The mission behind the moment

The Artemis II mission marks a major milestone for NASA, sending astronauts on a crewed journey around the Moon for the first time in over 50 years.

The Orion spacecraft has been orbiting and documenting the lunar environment, with astronauts expected to return to Earth shortly after completing their planned trajectory around the Moon.

While the mission itself is historic, it’s also becoming an unexpected showcase for consumer camera tech operating in one of the harshest environments imaginable.

And if these images are anything to go by, GoPro’s next move could be its most important in years.

DJI has officially confirmed when its next pocket camera, the Osmo Pocket 4, will land.

In a short teaser shared across social media, the brand revealed a launch event titled “The World In My Pocket”, scheduled for 16 April 2026 at 12 PM GMT (8 AM ET / 5 AM PT).

The video itself is deliberately vague, showing little more than a silhouetted device and a close-up of a lens element.

DJI hasn’t revealed any specs yet, but the teaser suggests the same compact, gimbal-stabilised form factor returning once again.

That’s no surprise, given how well the formula has made the Osmo Pocket 3 one of the most popular compact cameras of 2024/2025.

A familiar idea, ready for an upgrade

The Osmo Pocket line has always been about portability first, offering a tiny stabilised camera that can slip into your jeans pocket.

The current generation already delivers solid video performance, with a 1-inch sensor, 4K/120fps recording and excellent three-axis stabilisation.

Rumours and early chatter suggest DJI might introduce a larger sensor, which would improve low-light performance and dynamic range.

There’s also talk of enhanced subject tracking, likely building on DJI’s increasingly reliable AI-powered tracking seen in its drones and gimbals.

A bigger or brighter display, better audio options, and more seamless wireless connectivity are also all on the card.

One thing the video doesn't show is a dual lens setup, which was one of the earlier rumours about the upcoming camera.

It's also possible that DJI wants to keep things under wraps for as long as possible.

Most of the brand's products have been leaked to death before launch, so it makes sense that DJI wants to keep some info hidden until launch.

Small camera, big expectations

The teaser’s tagline, “The World In My Pocket”, hints at a continued focus on portability, but expectations are higher this time around.

With rivals pushing image quality and features further, the pressure is on DJI to deliver more than just incremental updates.

Still, if the company can combine improved imaging with its class-leading stabilisation, the Osmo Pocket 4 could once again become one of the easiest ways to capture smooth, high-quality footage without fuss.

Whatever the upgrades may be, we won’t have to wait long to find out.

You can sign up for updates about the Osmo Pocket 4 at DJI.

Insta360 has unveiled one of its most unusual accessories to date, and it might quietly solve a problem most smartphone users have learned to live with.

The Snap Selfie Screen, which works with both iPhones and Android devices, is a compact, magnetic display that attaches to the back of your phone and mirrors its screen in real time.

The action camera brand says it can help you frame yourself better using the rear cameras, which are often significantly more capable than the typically lower-quality front camera.

It’s a concept that feels like a natural evolution of the tiny mirrors found on some phone cases, but taken several steps further.

With a live preview and touch controls, Snap removes the need to flip your phone back and forth just to check framing or tweak settings.

A smarter way to use your phone’s best camera

Most modern smartphones pack their most advanced sensors and lenses on the rear, yet selfies and vlogs are still largely captured with front-facing cameras for convenience.

Snap aims to change that by offering a real-time preview of your shot, even with ultra-wide rear lenses.

The mirrored display also supports touch input, so you can adjust settings, start recording, or fine-tune composition without reaching around the device.

The experience is plug-and-play via USB-C, with no pairing required and minimal lag, making it feel more like an extension of your phone than a separate gadget.

A creator tool with a slightly unexpected twist

There are two versions available: a standard model and one with a built-in rim light developed in collaboration with AMIRO, designed to provide adjustable brightness and colour for more flattering shots in tricky lighting conditions.

Both models are powered directly by the phone, meaning there’s no separate battery to charge, although it does mean you’ll be drawing from your handset’s power while shooting.

Physically, the Snap is slim and pocketable, with a protective cover that doubles as a screen guard when not in use.

It's also handy when the Snap is in use, preventing you from accidentally touching your smartphone's large front display.

The Snap is available at Insta360 now for a recommended price of $80 / $90 in the US, £73 / £88 in the UK, €86 / €96 in Europe and AU$140 / AU$155 in Australia.

GoPro has confirmed it will unveil a new generation of cameras at the NAB Show 2026, and these are likely to include models beyond just action cameras.

"Our customers have made it clear they want more of everything from GoPro—larger sensors, world-class low-light performance, higher resolutions and frame rates, next-level image quality, improved audio capabilities, longer runtimes and bulletproof reliability in high-heat conditions…everything, and more," said GoPro's founder and CEO, Nicholas Woodman.

"And that's exactly what we're giving them with our newest line of GP3-powered cameras, debuting at NAB this April."

The brand recently teased “next-generation” footage on social media that looked nothing like typical action camera output.

The clips featured shallow depth of field, macro detail and controlled low-light scenes, visuals that strongly suggest larger sensors and more advanced optics.

GoPro says it will debut multiple new cameras in Las Vegas between April 19 and 22, all powered by its new GP3 processor.

The GP3 chip is the turning point

Announced earlier this month, GP3 is GoPro’s most powerful imaging processor to date, built on a 5nm architecture with more than double the pixel-processing power of GP2.

It also introduces a dedicated AI neural processing unit, enabling real-time scene recognition, subject detection, and more advanced image processing, features typically reserved for higher-end cameras.

GoPro says the chip will deliver major gains in low-light performance, resolution, frame rates and thermal efficiency, while also unlocking longer runtimes.

The company has already confirmed it’s designed to power a wider range of devices, including vlogging cameras and even compact cinema-grade systems.

A shift the CEO has already hinted at

Speaking during the company’s latest earnings call, CEO Nicholas Woodman described GP3 as the most significant leap in GoPro’s imaging technology to date, with the potential to push the brand into entirely new categories.

That lines up with both the teaser footage and the wording in the chip announcement, which repeatedly points to a move upmarket.

The NAB announcement confirms GoPro will showcase several new cameras, not just one.

Combined with everything we’ve seen so far, that strongly suggests a broader portfolio push.

Action cameras will almost certainly remain part of the lineup, but they may no longer be the main event.

Between the cinematic teaser, the GP3’s capabilities and the company’s own messaging, GoPro appears to be targeting creators who want more control over image quality, depth and low-light performance.

There are still plenty of unknowns, including product names, pricing and exact form factors.

But taken together, the teasers, the chip launch and now the NAB confirmation point to GoPro is preparing its biggest reset in years, and this time, it’s aiming well beyond action cameras.

GoPro will exhibit at Central Hall, Booth C5519, at the Las Vegas Convention Centre.

[via PR Newswire]

Did you know that Amazon had a sale last week? No? Never mind. If you're an action camera fan, you didn't miss anything, as Insta360, maker of the world's finest 360º action cams, has a sale on right now, with some of its products hitting their lowest ever prices at Amazon.

Shop all deals in Insta360's Spring Sale at Amazon

Chiefly among these is the X4 Air, which has already made everything I love about the X5 much more affordable. Thanks to the new price drop, it's even cheaper, pushing the price well below what you'd normally have to pay for the privilege to access such a refined ecosystem as Insta360's.

Shop Insta360's Spring Sale on its website

The brand also has the same sale on its website, and I know some people, including me, like to shop directly from the manufacturer, so I linked that here, too. Another great deal is on the GoPro rival Insta360 Ace Pro, which is 30% off – also the lowest price it's ever been!

The Insta360 X4 Air is designed around one core idea: maximum flexibility in a minimal form factor. Weighing just 165g, it’s one of the lightest 8K 360 cameras available.

It uses dual 1/1.8-inch sensors to capture 8K 360-degree video at 30fps, alongside 29MP stills, with the option to shoot standard 4K60 footage in single-lens mode.

Its biggest USP is the “shoot first, frame later” workflow, letting you reframe shots after recording without worrying about composition on the go. Replaceable lenses add durability, while gesture, voice and motion controls enable hands-free capture.

Add waterproofing, AI-assisted editing tools and InstaFrame dual recording, and the X4 Air positions itself as a highly portable, creator-friendly 360 camera that prioritises versatility over outright image quality.

The Insta360 Ace Pro takes a more traditional action-camera approach but positions image quality as its headline feature. It uses a large 1/1.3-inch sensor paired with a Leica Summarit lens, enabling 8K video capture and strong low-light performance, backed by a dedicated AI imaging chip for processing and features like PureVideo mode.

Unlike 360 cameras, it’s built for point-and-shoot clarity, with a wide field of view and up to 50MP photos. A flip-up rear touchscreen makes it particularly appealing for vlogging and self-shooting, while gesture and voice controls add hands-free convenience.

Other highlights include robust stabilisation, waterproofing (with or without a case), and solid battery performance. The Ace Pro’s USP is simple: it delivers flagship-level video quality in a compact, user-friendly action cam format, making it a direct rival to GoPro-style shooters.

GoPro has shared a new teaser on social media showing off what it calls footage captured on the “next generation of GoPro,” but the clips look nothing like what you’d expect from a traditional action camera.

The short montage features a series of striking shots, including a close-up of flames, detailed macro footage of foliage, a crisp view of the moon and an extreme close-up of a human eye.

Across each scene, a caption reads: “Captured on the next generation of GoPro.”

The simple teaser raises a bigger question: what exactly is GoPro preparing to launch?

This doesn’t look like action cam footage

GoPro cameras have long been defined by their ultra-wide field of view, deep focus and rugged versatility.

That’s what makes them ideal for capturing fast-moving action, but it also means they rarely produce the kind of shallow depth of field seen in this teaser.

The latest GoPro Hero 13 Black does feature a macro lens attachment, but I can confidently say the quality of the macro shots is nowhere near the ones showcased in the social post.

Several shots in the clip show pronounced background blur, precise subject isolation and a level of macro detail that would typically require a much larger sensor or dedicated optics.

The low-light scenes, particularly the fire and moon footage, also appear cleaner and more controlled than what we’ve historically seen from GoPro’s existing lineup.

The footage suggests this wasn’t captured on a conventional action camera, or at least not one that behaves like any GoPro we’ve used before.

GoPro has already hinted at a shift

GoPro has been laying the groundwork for a broader imaging strategy over the past year, most notably with the introduction of its next-generation GP3 processor.

The company says the new chip will power a wider range of devices beyond action cameras, including more advanced imaging products aimed at creators.

Improvements tied to GP3 include significantly better low-light performance, enhanced image processing and AI-assisted scene handling, all areas where GoPro has historically lagged behind larger camera systems.

More tellingly, GoPro has also referenced plans to move into higher-end categories, including ultra-premium compact cameras designed for more cinematic use cases.

A new category for GoPro?

GoPro has been busy building an empire beyond action cameras, a space increasingly saturated by up-and-coming brands and giants such as DJI and Insta360.

And even though the company has burned itself with projects like the Karma drone, the new approach feels much more on-brand and grounded in what GoPro is best known for: incredible camera performance and reliable hardware.

The teaser footage aligns closely with the brand's ambitions, shifting the tone to a new type of GoPro device.

Instead of competing purely with the best action cameras, the company may be positioning itself closer to creator-focused tools like handheld gimbal cameras or compact cinema rigs.

There’s also the possibility that GoPro is simply demonstrating what its next-generation processing can achieve across future products.

For now, GoPro hasn’t confirmed what hardware the footage was shot on or when these next-generation products will arrive.

But based on what we’ve seen and what the company has already said, it looks increasingly likely that GoPro is preparing to expand well beyond its action-camera roots.

GoPro has hinted that its next generation of cameras could expand far beyond traditional action cameras, as the company prepares to launch its new GP3 processor later this year.

Speaking during the company’s latest earnings call, GoPro founder and CEO Nicholas Woodman described the upcoming chip as a turning point for the brand’s imaging technology.

“Our new exclusive GP3 processor represents the most significant advancement in processing power and image quality in GoPro’s history,” Woodman said.

According to the company, the chip will power a new wave of GoPro cameras launching from Q2 2026 onwards.

While GoPro hasn’t revealed specific models yet, comments from executives suggest the processor could enable entirely new models alongside the company’s traditional action camera lineup.

A move beyond action cameras

One of the most telling remarks during the call concerned GoPro’s ambitions in low-light imaging.

Woodman acknowledged that the company’s previous GP2 processor, which powers current-gen cameras, including the Hero 13 Black and MAX 2, is limited in its performance in low-light conditions, which held the brand back in certain parts of the camera market.

“GP2’s low light constraint hampered GoPro’s ability to compete in the fast-growing premium low light-capable camera category,” Woodman said.

That category, he noted, represents a market of roughly 2 to 2.5 million units annually. With GP3, GoPro appears intent on targeting that segment more aggressively.

The new processor is built on a 5-nanometre architecture, compared to the 12-nanometre design used in GP2, and features more than double the pixel processing power of its predecessor.

It also introduces a dedicated AI neural processing unit (NPU) designed to improve image quality, particularly in challenging lighting conditions.

In internal testing, GoPro claims the chip delivers 40% to 90% longer camera runtimes than competing devices, alongside improved thermal performance and better image quality.

New professional product categories

Perhaps the most intriguing comment from the call was Woodman’s suggestion that the chip could help GoPro expand into new areas of the digital imaging market.

“GP3 will serve as a pivotal growth catalyst for GoPro, enabling us to lead in our existing core and gain meaningful share in new professional product categories.”

While the company hasn’t detailed what those categories might be, earlier hints from executives suggest GP3 could anchor cameras designed not just for action sports but also for vlogging, creator workflows and higher-end compact video formats.

If that proves accurate, the move would position GoPro closer to devices like creator-focused compact cameras and vlogging rigs, rather than competing solely with other action cam brands.

A broader ecosystem strategy

The company has already begun experimenting with partnerships outside its traditional product lineup.

Earlier this year, GoPro collaborated with ASUS on a GoPro-branded laptop, highlighting a willingness to extend its brand and technology beyond standalone cameras.

At the same time, the company is exploring new revenue streams tied to its software and cloud ecosystem.

GoPro revealed during the call that more than 500,000 hours of user-generated video have already been submitted to its AI training programme, which licenses footage to AI companies to help train computer-vision models.

Seemingly, the company appears to be positioning the new chip as the foundation for a broader push into new hardware categories and imaging workflows.

With the first GP3-powered cameras expected to arrive in the second quarter of 2026, the coming months should reveal exactly how far GoPro intends to expand beyond its action camera roots.

GoPro has just revealed its most advanced custom imaging processor yet, the new GP3 chip, setting the stage for its next generation of action cams, vlogging gear and even compact cinema-grade cameras.

The GP3 is a 5-nanometer System-on-a-Chip (SoC) designed entirely in-house and promises more than twice the pixel-processing power of GoPro’s existing GP2 chip.

The GP2 was launched in 2011, with the GoPro Hero 10 Black being the first camera to use the processor.

Since then, it's been utilised in every camera the brand has launched, including the flagship Hero 13 Black and the latest GoPro MAX 2.

A serious silicon upgrade

According to the brand, the new chip will deliver noticeably improved image quality, low-light performance, higher resolutions and faster frame rates, all while offering best-in-class energy efficiency and thermal management for longer runtimes.

The GP3 houses a dedicated AI Neural Processor Unit (NPU) and specialised cores for scene recognition and subject detection, enabling GoPro cameras to intelligently adapt settings in real time.

This kind of on-device AI has traditionally been found in flagship smartphones and high-end mirrorless cameras, and now it’s coming to GoPro’s compact systems.

GoPro says the GP3 will debut in “new GoPro cameras” launching in Q2 2026, though specific models haven’t been announced yet.

Rumours and early hints from company executives suggest the chip will anchor cameras not just for traditional action use but also for vlogging and ultra-premium compact cinema formats, broadening GoPro’s appeal beyond its core sports audience.

The company has been undergoing significant changes, investing heavily to diversify its product portfolio and respond to growing pressure from rivals such as DJI and Insta360.

This next-gen silicon could help GoPro better compete with both dedicated imaging rivals and high-end smartphone video features that have eaten into the action camera market in recent years.

How much can GoPro's new products, powered by the GP3 chip, change the current status quo? We'll find out later this year.

[via PR Newswire]

The company’s CEO has confirmed a new dual-camera handheld device is on the way.

The product was teased only three weeks ago, but now Insta360 has officially revealed that it’s working on a new pocket-sized camera designed to compete directly with DJI’s Osmo Pocket line.

The device, called Luna, was announced publicly by Insta360 CEO Liu Jingkang and is being positioned as a dual-camera handheld system that could challenge DJI’s dominance in the compact gimbal camera category.

It's a very strange way to announce a new product, especially from action camera giant Insta360, which usually launches products globally, but the new camera is in fact real, and it’s coming in 2026.

What’s been confirmed

At this stage, the company has confirmed only a handful of key details.

First, Luna will feature a dual-camera system, similar to the upcoming DJI Osmo Action 4 Pro, even though DJI has yet to confirm the model's existence.

While Osmo Pocket 3 uses a single 1-inch sensor with a rotating touchscreen for front- and rear-facing shooting, Luna is expected to incorporate two lenses into the body itself.

Insta360’s CEO has also made it clear that Luna is not based on DJI technology and is being developed independently.

The camera is expected to launch in the first half of 2026, though no exact date or pricing has been revealed.

Not another DJI Pocket rival?

DJI has effectively owned the pocket-gimbal market since the original Osmo Pocket launched in 2018.

The current Osmo Pocket 3 remains one of the best compact vlogging cameras available, thanks to its 1-inch sensor, 3-axis mechanical gimbal and strong low-light performance.

If Insta360 can genuinely bring something new to the category, it could create the first serious alternative in years.

That said, other companies, such as vivo, are also planning on launching their own take on the concept soon.

Insta360 already dominates in 360-degree cameras wth its X range, including the latest Insta360 X4 Air, and has built a strong reputation in action cameras with the Ace and Ace Pro series.

What to expect

Even though the “dual-camera” description is the biggest clue so far, there are a few likely directions Insta360 could take:

• A dedicated front-facing lens for vlogging and a rear lens for standard shooting
• A wide + ultra-wide combination
• A modular-style approach similar to previous Insta360 products

Given Insta360’s history of computational features, including AI reframing, horizon levelling, and advanced stabilisation, Luna could rely heavily on software alongside its hardware.

Without confirmed sensor sizes, resolution details or gimbal specifications, it’s too early to predict how it will compare to DJI’s Pocket 3 in image quality.

Can Insta360 realistically disrupt DJI here?

Right now, DJI’s Pocket line benefits from mature stabilisation, strong image processing and a well-established accessory ecosystem. Luna will need to match or exceed that, not just add a second lens.

Still, Insta360's public entry into this space is the first credible sign in years that DJI may finally face direct competition in the compact mechanical-gimbal category.

More details are expected in the coming months. Until then, Luna remains one of the more intriguing camera launches on the 2026 horizon.

DJI appears to be working on a successor to its 360º camera, after regulatory paperwork surfaced hinting at an upcoming refresh of the company’s camera lineup.

A recent FCC filing, with the grant date of 21 Dec 2025, references a device believed to be the DJI Osmo 360 II.

While the filing does not reveal detailed specifications or design changes, it does confirm one notable upgrade.

The upcoming action camera seems to have a larger battery capacity, suggesting DJI is looking to address one of the more common pain points in compact 360º cameras.

The DJI Osmo 360 II is listed with a 2,150 mAh battery, up from the original Osmo 360’s 1,950 mAh cell, a roughly 10% increase in capacity.

For context, the Osmo 360 II's predecessor's battery delivered over 100 minutes of continuous 8K/30 fps recording on a full charge in real-world tests.

The original DJI Osmo 360 launched in July last year and marked the drone giant’s first serious attempt at entering the 360º action camera market.

While it was widely seen as a competent debut, delivering solid image quality and DJI’s familiar software polish, it struggled to stand out against Insta360’s well-established X-series (see also: Insta360 X5 review), which continues to dominate the category.

GoPro has also raised the bar recently with the launch of its MAX 2, introducing removable lenses, a feature the current Osmo 360 lacks.

A small leak, but part of a bigger push

At this stage, there is no confirmed release date or pricing for the Osmo 360 II, but FCC approval typically suggests a product is moving closer to launch rather than sitting at an early prototype stage.

DJI has been particularly active across its camera ecosystem in recent months, most recently launching the RS 5 Ronin gimbal, aimed at professional and solo videographers.

Alongside that, rumours continue to swirl around the Osmo Pocket 4 Pro, widely expected to debut soon and possibly featuring a dual-camera setup.

For now, details remain scarce, but if DJI is serious about challenging Insta360’s dominance, battery life improvements alone are unlikely to be the final story.

More concrete information is expected to emerge as the presumed launch window draws closer.

[via FCC, Notebookcheck]

DJI isn't one for handing out big discounts on its newer cameras, so when I spotted the Osmo 360 Adventure Combo slashed in price on Amazon, I thought I better write about it - especially when the RRP sits at well over £500.

Shop more Osmo offers on Amazon's DJI deals page

The deal sees the nifty action cam discounted down to an impressive £369.99 - that's over 30% off the £540 RRP. That's not only a chunky price drop for DJI, but one that doesn't come around all that often.

What makes this deal even more alluring is that it isn’t just the camera with a token accessory thrown in. The Adventure Combo is an actually really useful bundle. It includes three batteries, a multifunction battery case, and the 1.2m Invisible Selfie Stick, which - love it or hate it - is still the easiest way to get those third-person, follow-cam style shots without needing someone filming you.

Why buy a DJI Osmo 360?

If you've never used or seen DJI's Osmo 360 before - the cam's main selling point is that it shoots in 360, obviously, but it’s the specs underneath that make it stand out versus older-style action cams. DJI says it uses 1-inch 360-degree imaging and can capture 8K/30fps 360 video, plus 120MP photos if you want stills you can crop into later.

If you don’t want the full 360 look all the time, it also has a single-lens mode with a wide 170° view, and can shoot 4K at up to 120fps, which is handy if you’re doing fast stuff like skiing or biking and want smoother slow-mo clips.

Battery might be the unglamorous bit, but it’s why this deal should be taken more seriously than a standard body-only price cut. DJI claims up to 190 minutes of recording, but even if you don’t hit that in the real world, having three batteries ready to go is the difference between using it all day and having to ration clips because you're worried the juice will run out any minute.

So, if you’ve been waiting for the Osmo 360 to come down to something more reasonable, this might be the best time to pounce. These deals don't stick around for long, and this is one of the better prices I’ve seen for the bigger battery bundle in a while.

DJI’s next pocket-sized vlogging camera might have just revealed itself in the way too many gadgets get leaked these days - via someone “accidentally” snapping a photo of it in public.

A new image posted on Reddit by user u/gtm_ray shows what’s claimed to be the front of the DJI Osmo Pocket 4 Pro, spotted at an indoor ski resort in Shenzhen.

And while the Osmo Pocket line has always had a pretty recognisable shape, this leak has one detail that’s instantly grabbed attention - it appears to show dual cameras on the front.

That’s a big deal, because the Pocket series has traditionally been a single-lens, gimbal-stabilised vlog cam built around simple features like a tiny body, stabilisation that makes walking footage more watchable, and a rotating screen setup that made the Pocket 3 feel like a proper pro-level device.

A dual-lens Pocket?

The idea of a dual camera setup suggests DJI might be trying to do something a bit more ambitious than just a safe spec bump with its Osmo Pocket series this time around.

And while the photo itself doesn’t exactly tell us what those two cameras might actually do, it does line up with previous Osmo Pocket rumours that DJI is planning two versions of the Pocket 4 - a more classic single-lens model and a higher-end “Pro” variant.

In the Reddit thread, that’s basically the debate. Some people reckon the “Pro” name will mean a bigger sensor and better image quality, while others think DJI might be aiming for a more flexible, creator-first setup - the kind of thing that could offer different focal lengths or a dedicated zoom lens.

Either way, the fact this thing is being carried around in public (and photographed) makes it feel less like far-off concept chat and more like a product that’s already deep into testing and readying for launch.

Launch timing

Earlier leaks suggested DJI wouldn’t unveil the Pocket 4 Pro until April at the earliest, but “spotted in the wild” moments like this tend to happen when devices are getting close to release.

For now, though, DJI hasn’t confirmed anything,. And one leaked photo doesn’t always equal a launch. But if this really is the Osmo Pocket 4 Pro, that dual-camera design could be the biggest sign yet that DJI is about to take its most popular creator camera into a totally new direction.

DJI isn’t the only company rumoured to be switching up this category right now, either.

Just last week, I covered a separate leak suggesting Insta360 is gearing up to launch its own Osmo Pocket-style camera, after what looked like an accidental (or very deliberate) Weibo teaser from Insta360 CEO JK Liu.

In the post, the exec appeared to show a blurred “pocket” device in the background. If that product is real - and this Pocket 4 Pro leak is too - it suddenly feels like 2026 could be the year the “pocket gimbal” space gets properly competitive.

In recent years, DJI’s Osmo Pocket cameras have become a bit of a cheat code for creators. They’re small, easy to use and, in markets like Japan at least, they’ve helped make DJI become the main contender in the category.

So it’s not exactly shocking that rivals might want a slice of that pocket gimbal pie.

Well, fresh reports suggest Insta360 is about to make its move. As reported by thenewcamera, a Weibo post that appears to be a simple teaser shows Insta360 CEO and founder JK Liu accidentally revealing two upcoming cameras at once.

One is the obvious focus of the image, and the other is hiding in plain sight on the display, albeit heavily pixelated. If it really is an accident, it’s a pretty juicy one, and it gives us a decent hint at where the action camera brand is heading next.

So what's leaked exactly?

The first of the two devices is a white camera being held in the right hand. It’s not shaped like a typical action cam, and that's what’s getting people talking.

For one, there’s a big rear screen, with a cluster of physical buttons above it, including what look like dedicated toggles for switching between video and photo - a layout that feels more like a compact creator camera than something designed to be strapped to a helmet.

The on-screen UI also looks very Insta360-ish, with controls that resemble those on the Ace Pro series, suggesting this isn’t just a random prototype shell.

There’s also an f/1.8 marking visible, which has kicked off speculation that Insta360 could be exploring a fixed-lens compact camera category alongside its usual action and 360 kit.

Some corners of the internet have already started guessing sensor sizes (Micro Four Thirds, APS-C), but there’s nothing concrete on that front...yet.

The second device is the more "blink, and you’ll miss it" part of the leak. In the same image, a blurred, pixelated camera is visible on the screen, and leak-watchers reckon it is an upcoming Insta360 Osmo Pocket-style product.

The fact that it’s deliberately obscured makes it feel less like an accident and more like a controlled tease, especially as some reports suggest this Pocket camera could be closer to launch.

If Insta360 really is building a Pocket rival, the target is obviously DJI. Whether this turns into a serious challenge or just a bit of speculation will depend on what leaks next, but it’s a strong hint that Insta360 might be thinking beyond just action cams and 360 cameras.

If you’ve been trying to buy a DJI drone in the US recently, I wouldn't be surprised if it's been a bit of a saga.

Check out more Amazon DJI deals here

Stock in the States has been patchy to say the least and listings come and go - leavign buyers questioning whether they can even get one right now.

Well, that's exactly why this deal is worth making a song and dance about.

Amazon has dropped the DJI Mini 5 Pro Fly More Combo back down to its record-low price - and it’s not a tiny token discount, either.

We’re talking a massive $500 off the normal price of $1,599 - that's a proper chunk (almost a third!) off a bundle that will ensure your shiny new drone isn't grounded after a single battery run.

The big deal about this, err, deal isn’t just the Mini 5 Pro itself - it’s the Fly More Combo bit.

Because yes, you could buy the drone on its own, and then almost immediately realise you also need extra batteries, spare props, a bag, and probably a few other essentials if you’re planning on doing anything beyond a quick test flight in the park.

This bundle throws in the good stuff from the start - the DJI RC 2 controller (so you’re not squinting at your phone mid-flight), three Intelligent Flight batteries, multiple propeller sets, a shoulder bag, and a set of filters.

It might not be the full-sized flagship model, but the DJI Mini 5 Pro itself is very much a small drone, big results kinda gadget. You’re getting a 1-inch CMOS camera, 4K HDR filming up to 60fps, and 4K at 120fps if you want buttery slow-motion footage.

DJI has also leaned into low-light usability with this drone, sporting features like Nightscape omnidirectional sensing and a nighttime return-to-home function designed to make evening flying feel less sketchy than it often does.

Even at the discounted price of $1,099, it's still no impulse buy, obviously, but if you were already considering a serious DJI setup, a $500 drop on the bundle that includes the bits you’d end up buying anyway is about as good as it gets.

And if you’re in a DJI mood after that drone deal, there’s a pretty tidy audio one worth flagging, too.

Amazon has also knocked the DJI Mic 3 bundle (2 TX, 1 RX, Charging Case) down to what’s being billed as an all-time low, where you can pick it up for $259. That’s a savings of $70 and more than 20% off the normal $329 price tag.

This is not only a rare deal, but it's one that's handy timing - especially if you’re planning to actually use that fresh aerial footage for something more than silent B-roll.

The great thing about this deal is that it's for the full creator-friendly bundle, which includes two clip-on transmitters, a receiver that can mount to a camera hot shoe, and a charging case that keeps the whole setup topped up between shoots.

DJI claims up to 28 hours total battery when you factor in the case, plus dual-band anti-interference and adaptive gain control to help keep audio levels sane if the wearer gets a bit shouty.

Basically, it’s the kind of kit that make your content feel instantly more pro without needing a bag full of extra gear.

You just bought a DJI Osmo Action 5 Pro in the January sale – now what? The drone giant's amazing action camera can be used for a lot more than just action shots, but due to its small size, it's quite hard to use the Osmo Action as a camera.

That's where SmallRig's DJI accessory come into play. The Threaded Side Handle with Record Start/Stop Remote, currently at its lowest-ever price on Amazon, is a versatile camera accessory that improves handling and control during shooting.

It’s essentially a durable side-handle grip and remote trigger that mounts to a camera cage or rig, providing a more secure, ergonomic grip for filming or shooting photos.

While this exact model on Amazon UK is geared at DJI Osmo Action cameras (like the Action 5 Pro, 4, and 3) with a compatible cage, the overall concept applies to many mirrorless setups: steady grip plus built-in shutter/record control.

At its core, this accessory transforms a bare action camera into a more comfortable, DSLR-style setup that’s easier to hold for longer periods. And as someone who's currently staring at a SmallRig stand on his desk, I can vouch for the quality of the brand's products.

The handle attaches via a magnetic mount and includes additional mounting points, such as cold shoes and threaded holes for lights, mics, or tripods.

One Amazon reviewer neatly captured the appeal, describing it as having “incredible material quality [and a] nice rubber on the grip.” Simple!

That combination of solid construction and tactile comfort is exactly what SmallRig is known for, and it’s why this accessory has become such a popular upgrade for DJI users who want their action camera to feel more like a serious filming tool.

If you’ve tried to buy a DJI drone in the US recently, you’ll know it’s been a bit of a lottery - stock comes and goes, and when the higher-end models do appear, they’re rarely discounted in any meaningful way.

That’s why this deal I've just found on Amazon is worth writing about.

The DJI Mavic 4 Pro is not only finally back in stock on Amazon, it’s also dropped by a chunky $650. For a premium, pro-leaning DJI drone, that’s not the kind of price cut you see every week.

The Mavic 4 Pro is DJI’s “go big or go home” drone - the one you look at when you want proper camera hardware, serious flight performance. And the bundle in this deal is one that’s geared for people who actually plan to use it in a serious way, not just fly it twice and leave it in a cupboard.

So what are you getting for the money? This is a tri-camera setup built around a 100MP 4/3 CMOS Hasselblad main camera, which is the sort of spec that makes sense if you’re shooting big landscapes, commercial work, or you’re just the kind of person who gets excited about dynamic range.

You also get a claimed max flight time of 51 minutes, which is huge in real-world terms. Even if you never see that full figure in windy conditions, it still means longer takes, fewer battery anxiety moments, and less time watching your drone crawl back home at 12%.

The drone boasts a fresh gimbal system, too, which supports 360-degree rotation for Dutch angles and more creative framing, plus a quoted top speed of 90kph. You can read more about what it's capable of in our full DJI Mavic 4 Pro review.

The other great thing about this Amazon deal is that it's a proper bundle. You’re looking at three batteries, a charging hub, spare props and a shoulder bag, so you’re having to spend another few hundred quid to make it more usable right after purchase.

However, if you want something cheaper and more beginner-friendly, it’s also worth a quick look at the deal I saw earlier this week on the DJI Mini 3 Fly More Combo, which is still one of the best ways to get DJI quality without going full cinema-drone mode.

If you’ve been eyeing up the DJI Mini 3 but didn’t want to buy the drone and then immediately spend more on extra batteries, this is the deal you've been waiting for.

Amazon’s got the Fly More Combo back in stock (basically, a kit with extra batteries included) - and to a price that undercuts what it was going for around Black Friday.

This kind of discount isn't something you see every day with DJI gear - especially in a bundle that actually includes the bits you really need.

If you’ve not been following DJI’s Mini line, the Mini 3 is basically the sweet-spot option for people who want proper aerial footage without buying a monster drone. Although a couple of years old now, it's still a superb drone - especially for first-time pilots.

Weighing in at just under 249g, it's far easier to travel with than those bulkier full size models - and generally less hassle from a rules and registration perspective (depending on where you fly, naturally).

The DJI Mini 3 is also a genuinely capable little flier. You’re getting 4K video, solid wind resistance (DJI says it can handle gusts up to around 23mph), and long-range video transmission for when you want to push things a bit further. It even has some of the same features as its more advanced model - the Mini 3 Pro - including the same 48MP 1/1.3-inch CMOS sensor in its camera.

The big win with this deal, however, is the Fly More Combo part. Extra batteries might sound a bit boring until you’ve watched your drone land at 19%. With this bundle, you’re basically turning the Mini 3 into a far more “all-day” setup, rather than a quick 20-minute novelty.

At $575, it’s a rare DJI deal that actually feels like one.

Dreame, best known for high-powered robot vacuums and cordless cleaners, has just stepped wildly outside its comfort zone with the launch of a brand-new action camera line called Leaptic, debuting with the Leaptic Cube at the world’s biggest tech show, CES.

Rather than being another GoPro camera clone, the Cube is positioned as a tiny, thumb-sized action camera with big ambitions.

On paper, it promises 8K recording, AI-powered image optimisation and a compact, minimalist design that looks more than a little reminiscent of the pint-sized DJI Nano and Insta360's GO 3S, both of which are 'only' capable of 4K shooting.

Like the DJI, the Cube is designed to be worn, mounted or carried discreetly, appealing to vloggers, travellers and anyone who wants lightweight, always-ready video capture without a bulky system.

A pocket camera with very serious specs

Dreame says the Leaptic Cube uses a large 1/1.3-inch CMOS sensor, capable of shooting 8K at 30fps, 4K HDR at 60fps, and stills up to 50MP.

There’s also a 155-degree ultra-wide lens, designed to capture more of the scene without too much distortion.

Under the hood, the Cube runs on a powerful chipset designed to support on-device AI processing.

That enables features like scene recognition, colour optimisation, voice control and smarter auto-editing to make clips social-ready faster.

Battery life, durability ratings and full frame-rate breakdowns haven’t been exhaustively detailed yet, but Dreame is clearly pitching this as a premium compact camera rather than a budget experiment.

The move is fascinating because Dreame has built its reputation on smart home cleaning robots and cordless vacuums, not imaging tech.

Launching Leaptic suggests the company wants to broaden beyond domestic appliances and establish itself as a wider consumer technology brand, using AI as the bridge across categories.

It also puts Dreame in direct conversation with heavy hitters like DJI, GoPro and Insta360, brands that have spent years refining compact video hardware and creator ecosystems.

DJI has recently wandered into Dreame’s world with its Romo robovac, so the Leaptic Cube feels like Dreame stepping across the aisle in return.

If Leaptic can deliver stable 8K, solid stabilisation and dependable AI tools at a competitive price, it could genuinely disrupt the small-camera market. If not, it risks becoming another CES curiosity.

Dreame has indicated pricing in the region of around $439.99 (~£326 / €376 / AU$653) for the 64GB model and $459.99 (~£341 / €394 / AU$683) for the 128GB model

Rollout is expected to begin later this year, with pre-orders already being teased through Dreame’s official channels. More info can be found at Leaptic's website.

DJI has pushed out another meaningful software update to one of its best action cameras, and this time it’s the DJI Osmo Action 6 that’s getting the upgrade treatment.

Rolling out now via the DJI Mimo app, the new firmware introduces a mix of headline-grabbing specs and genuinely useful quality-of-life features that make the flagship cam feel more capable without changing the hardware at all.

Following the update, the Osmo Action 6 now supports recording at up to 8K/30fps in a 16:9 aspect ratio.

DJI says the higher resolution allows for richer detail and more flexibility when cropping or zooming in during edits, which will appeal to creators who want extra room to reframe footage without sacrificing sharpness.

Beyond raw resolution, the update also adds cloud upload functionality.

Files can now be uploaded directly from the camera to third-party cloud services through the DJI Mimo app, including OneDrive, Google Drive and NAS setups.

This could significantly speed up workflows for creators who want to back up footage or share clips without juggling memory cards and cables.

Photo mode now supports Film Tone, offering more stylised, ready-to-share colours straight out of the camera.

DJI positions this as a way to make the Osmo Action 6 more appealing for casual street photography and quick social posts, rather than something that always requires post-processing.

From this perspective, the update is similar to the most recent DJI Osmo 360 software refresh, which added "creative effects" to speed up the transport of footage from the camera to social media.

There’s also a more technical addition aimed at close-up shooting.

Focus peaking, the absence of which I mentioned in my review, is now available directly on the camera screen, helping you identify the sharpest areas of the frame when shooting macro or detail-heavy scenes.

The update is available via the DJI Mimo app.

DJI has pushed out a new firmware update for the Osmo 360, and while it’s being framed as a creative upgrade, it also subtly reshapes what the action camera is actually best at.

This isn't the first update since the camera launched. The company has already added pro-grade colour tools and dashboard training mode to the Osmo 360 back in August 2025.

The new update, now live, introduces a set of software tools that lean heavily into how people really use 360° cameras in 2025: fast social content, minimal editing, and footage that looks polished straight out of the app.

In practice, these “creative effects” address long-standing friction points in shooting, editing, and sharing 360° video.

Insta360 is well known for its creative editing options in its app, which have made the brand's cameras, including the flagship Insta360 X5 and the lightweight Insta360 X4 Air, so popular.

The square peg finally fits

One of the headline additions is Single-Lens 9:16 Vertical Boost Video, which allows the Osmo 360 to capture vertically in-camera, using a boosted wide-angle field of view designed specifically for social platforms.

This change removes the need for reframing or post-production gymnastics just to make footage Instagram- or TikTok-ready.

DJI is also adding single-lens live streaming via Wi-Fi through the DJI Mimo app.

The camera can stream remotely while recording internally simultaneously, and you can now switch between front and rear views mid-stream.

That makes DJI's GoPro Max 2 rival far more viable for casual live content, outdoor sports and creator-style broadcasts, rather than being locked into stitched, post-heavy workflows.

When software does the heavy lifting

Another notable addition is a new set of Film Tone looks. These presets, applied with a single tap, are designed to give 360° footage a more cinematic feel without manual grading.

DJI is clearly pushing the idea that colour and mood shouldn’t be an afterthought for action cameras, especially when creators expect footage to look “finished” straight out of the app.

Perhaps the most technically interesting update is software-based ND filter effects.

Rather than relying on physical filters, DJI Mimo and DJI Studio can now simulate ND behaviour in post, adding motion blur and refining exposure through algorithms.

It’s an unusual move for an action cam, but one that fits neatly with DJI’s growing emphasis on computational video.

The Osmo 360 is becoming less about showing off 360° novelty and more about reducing friction between shooting and sharing, especially for creators who want cinematic results without cinematic effort.

The update is rolling out now via the DJI Mimo app.

We’ve been following the DJI Osmo Action 5 Pro for a few weeks, and now it’s finally fallen to its lowest ever price for Black Friday.

Now, it’s selling for just $259 in the US and £239 for UK customers, saving you well over 20% off its original price – perfect if you’ve been looking to treat yourself or a loved one to one of the best action cameras.

The DJI Osmo Action 5 Pro has a large 1/1.3-inch sensor that produces detailed, high-dynamic-range footage that looks sharp in bright conditions and stays surprisingly clean after dark. You can film up to 4K at 120fps for smooth slow-motion footage, with extra high-frame-rate modes for fast-moving scenes.

You’ll get around 64GB of built-in storage alongside a microSD slot, so you can start shooting straight out of the box, and its high-capacity removable battery provides dependable runtime. It’s also waterproof up to 20 metres without a housing, so if you’re a fan of underwater filming, you’re sorted. Add its cold-weather durability, and you’ve got a compact camera ready for winter sports, underwater filming, and any adventure you point it at.

Normally, I would recommend something like the dinky Hero or the new Lit Hero as an affordable GoPro. However, on Black Friday (which is today, in case you were wondering), I would advise getting the HERO 13 Black Extended Power Bundle, which is 47% (!) off at Amazon right now.

Shop all action camera deals in Amazon's Black Friday sale

This bundle deal includes one of the best action cameras around, as well as the brand's Dual Battery Charger, three Enduro Batteries, a Curved Adhesive Mount, a 64GB SanDisk MicroSD Card, a Mounting Buckle and Thumb Screw, two USB-C Cables and a Camera Case that's big enough to house all of the above.

The HERO 13 Black is GoPro’s most advanced action camera yet, built around an upgraded 1/1.9-inch sensor that delivers sharper 27MP stills and exceptionally clean video in difficult lighting.

It shoots up to 5.3K at 60fps, with 4K at 120fps and high-frame-rate 240fps modes for silky slow-motion. GoPro has also expanded its colour capabilities, adding 10-bit recording and HLG-HDR, which gives footage richer dynamic range and more flexibility when editing.

Stabilisation takes another leap forward with HyperSmooth 6.0 and AutoBoost, keeping footage steady on technical trails or fast descents. You also get enhanced horizon locking, which maintains a level shot even if the camera rotates significantly.

The camera itself is compact and rugged at 159g, with GoPro’s familiar dual-screen setup: a bright 2.27-inch rear touchscreen and a 1.4-inch front display for framing vlogs and selfies.

Other highlights include upgraded microphones for clearer audio, improved low-light performance, and full waterproofing to 10 metres without a case.

The HERO 13 Black’s extended shooting modes, from TimeWarp and Night Effects to high-speed motion capture, make it an incredibly versatile tool for creators.

With nearly half off in this bundle, you’re getting one of the most capable action cameras available today at a rarely-seen price.

I already reported on a DJI Osmo Action 5 Pro deal a week ago, which at the time was the lowest-ever price for what many consider one of the best action cameras. Fast forward seven days, and the camera is even cheaper, selling for only £239 (it was £255 on 18 Nov).

Shop all action camera deals in Amazon's Black Friday sale

This price is for the Essential Combo, which is an Amazon-exclusive bundle. It's the same as the Standard Combo, but funnily enough, that sells for £10 more at Amazon. The Adventure Combo, which includes two extra batteries, a charging case and a selfie stick, is 22% off at £320.

Why should you buy the Action 5 Pro on Black Friday

The DJI Osmo Action 5 Pro delivers top-tier video quality in a rugged, go-anywhere chassis. Its large 1/1.3-inch sensor produces detailed, high-dynamic-range footage that looks sharp in bright conditions and stays surprisingly clean after dark. You can film up to 4K at 120fps for silky slow-motion, with extra high-frame-rate modes for fast-moving scenes.

Both OLED touchscreens are bright and responsive, making vlogging, framing and menu tweaks effortless, even under harsh sunlight. DJI’s class-leading stabilisation keeps clips steady, while horizon-levelling works overtime to keep things straight during intense movement. Fast autofocus and improved subject tracking help lock onto the action the moment it happens.

There’s around 64GB of built-in storage alongside a microSD slot, so you can start shooting straight out of the box. The high-capacity removable battery provides dependable runtime, and the Action 5 Pro is waterproof to 20 metres without a housing. Add its cold-weather durability, and you’ve got a compact camera ready for winter sports, underwater filming, and any adventure you point it at.

Black Friday has unleashed a wave of action camera deals this year, and 2025’s lineup is especially strong. Discounts on GoPro, Insta360 and DJI aren’t unusual, but this time it feels like the entire industry joined in, with price cuts across nearly every major model.

Highlights include £110 off Insta360’s flagship X5, £130 off the 4K-ready GO 3S, £100 off the new GoPro MAX 2, £100 off the DJI Osmo Pocket 3, and £120 off the Osmo Action 4 Essential Combo. Plenty of other cameras have dropped in price, making this one of the best years to upgrade your kit.

Best Black Friday action camera sales

• Amazon: huge discounts on DJI, Insta360 and GoPro
• Currys: action camera offers from all top brands
• Argos: low prices on all major brands
• Insta360: up to 31% off X5, Go 3S, and more
• GoPro: big savings on Hero 13 Black, MAX 2, Lit Hero and more
• DJI: up to 51% off Action 5 Pro, OSMO 360, and more
• Akaso: up to 50% off affordable action cameras
• Kandao: over £100 off QooCam 3 Ultra and more

Best Insta360 deals

Best GoPro deals

Best DJI deals

Other deals

When is Black Friday happening in 2025?

Black Friday 2025 falls on 28 November, but UK retailers never wait that long, as the country doesn't celebrate Thanksgiving. Most major stores roll out early offers from mid-November, with discounts building steadily as the big day approaches. By the final week, the sales are usually in full swing, covering everything from action cameras to accessories and creator kits.

The deals typically run through the weekend and into Cyber Monday, giving shoppers a long window to pick up tech at record-low prices. For anyone hunting for action camera bargains, this is the prime period to catch rare discounts on the biggest names in the category.

Which action cameras should you buy in the Black Friday sale?

When choosing an action camera during the Black Friday rush, it’s smart to match your pick to how and where you’ll shoot. For top-tier quality and creative flexibility, go for the GoPro HERO13 Black, as it delivers 5.3K video, excellent stabilization and works with swappable lens modules.

For shooting in tougher conditions, especially low light or underwater, the DJI Osmo Action 5 Pro Combo stands out with a larger sensor and four-hour runtime.

On a tighter budget? Then the DJI Osmo Action 4 Combo is a smart value buy. For 360-degree or ultra-creative clips, the Insta360 Ace Pro 2 offers 8K capture and flexible mounting options.

And if cost is the main concern, the AKASO EK7000 4K gives solid 4K footage at a fraction of the price.

With all five models often appearing in Black Friday deals, it’s worth deciding your priorities now (e.g. resolution, durability, mount ecosystem or price), so you’re ready to check out when the sale starts.

The launch of Amazon's Black Friday coverage definitely seems to have uncovered a slew of better deals. And while I had no intention of buying anything for myself this time out, I've found a stellar deal which has just landed itself in my basket.

The DJI Osmo Action 4 is an action camera which is a few generations old at this point, and that means the deals are absolutely killer. You can save a whopping 43%, snagging one for as little as £159 right now at Amazon!

That's a lot of camera for not a lot of cash. The Osmo Action 4 may be a few years older, but it can still keep pace with modern tech. The 1/1.3-inch sensor is a good size, and should offer decent low light performance for most normal activity.

Pair that with a 155° ultra-wide field-of-view and the ability to shoot 4k/120fps footage, and it's not hard to see why these cameras are so beloved. Whether you're looking to document your extreme sporting endeavours or just the wander around a new city, this camera will be able to cope.

For me, the latter is definitely more appropriate. I often find myself travelling for short city breaks, where time is of the essence and bag space is at a real premium. I'd love to take my proper mirrorless camera and interchangeable lens setup on these occasions, but it's simply not practical.

For me, having a dedicated little box like this which won't take up too much space, but can still provide top notch footage, is a dream come true. It's something I've been talking about for a long time now, and I've been watching the price of this model – and others in the action camera space – for the best part of a year now.

Right now, I think this is the best value you'll find – but if you do fancy something newer, there are stack of other deals to check out. That includes a healthy 25% off the DJI Osmo Action 5 Pro, and £100 off the DJI Osmo Pocket 3.

If you’re hunting for the best vlogging camera available right now, the DJI Osmo Pocket 3 is the one to beat. It's been incredibly popular since its launch last year, and there have been hardly any good deals on it – until now! The price has just crashed to £389 for the standalone version and £460 for the Creator Combo.

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The appeal starts with its oversized 1-inch CMOS sensor, a huge upgrade over the tiny sensors typically found in compact cameras and smartphones. That extra sensor real estate pulls in more light, reveals more detail and delivers far better dynamic range, giving your footage a crisp, cinematic feel even in challenging conditions.

The Pocket 3 also shoots 4K at up to 120 fps, letting you mix smooth slow-motion shots into travel vlogs, lifestyle pieces, or fast-moving action scenes. Crucially, the camera sits on a 3-axis mechanical gimbal, so stabilisation is at the hardware level, not just algorithmic. You can walk, run, pan and spin and still come away with a video that looks professionally smoothed out.

Its 2-inch rotatable touchscreen is one of the smartest additions. Flip it for vertical recording when you want content for TikTok or Instagram, or keep it horizontal for YouTube, all without awkward re-mounting or menu diving. The interface is fast, responsive and easy to operate one-handed, something most mirrorless cameras can’t match.

Autofocus and tracking are equally strong. The latest ActiveTrack system locks onto faces confidently and keeps your subject sharp, even if you’re moving. It’s the closest you can get to having a second camera operator without paying for one.

Audio is another major win. The stereo microphones are surprisingly clean for such a small device, and the camera supports external wireless mics for more demanding shoots. Add in quick sharing tools, fast charging and excellent battery life, and the Pocket 3 becomes a true “grab and go” filmmaking machine.

The GoPro MAX 2 is finally at a price that makes sense! With £100 knocked off for Black Friday, GoPro’s newest 360° action camera becomes a genuinely tempting buy, especially if you want future-proof footage and the kind of creative flexibility you just can’t get from a standard action cam.

Shop GoPro's Black Friday sale

The MAX 2 is built around true 8K 360° video capture. That means full-resolution, fully immersive 360° clips rather than upscaled footage, giving you more detail and more room to play when reframing your shots afterwards.

The MAX 2 is built around true 8K 360° video capture, which means full-resolution, fully immersive 360° clips rather than upscaled footage, giving you more detail and more room to play when reframing your shots afterwards.

You also get 5.6K at 60fps for smoother action and 4K at 100fps for slow motion. For traditional single-lens shooting, the MAX 2 delivers crisp 4K/60 footage with a super-wide field of view, so you can still use it like a regular GoPro. Still photos get a huge bump too, with 29-megapixel 360° images offering massive cropping potential.

GoPro also redesigned the camera with replaceable protective lenses, a huge win for anyone who’s scratched a dome on a mountain bike ride or trail run. Pop the old one off, put a new one on, and you’re good to go. The body is tough, waterproof to 5 metres and built to take the kind of hits a 360° camera inevitably will.

Stabilisation is some of the best GoPro has ever offered. Max HyperSmooth keeps footage silky even when you’re moving fast, and Horizon Lock holds the frame perfectly level, no matter how much the camera tilts.

But the real magic happens after filming. You can capture everything in 360°, then reframe in the GoPro app: choose your angle later, turn a single shot into multiple social-ready clips, or add effects like Tiny Planet. It’s essentially multiple cameras in one!

When the DJI Osmo Action 5 Pro launched in late 2024, it positioned itself as the best action camera from the brand yet, a compact, magnetic, creator-friendly device with a large 1/1.3-inch sensor, excellent stabilisation and reliable 4K performance. It became a go-to option for travellers, cyclists, vloggers and anyone who wanted premium image quality without carrying a full camera rig.

Fast-forward 14 months, and the company has unveiled the DJI Osmo Action 6, a noticeably more ambitious successor. The new model is the world’s first action camera with a variable aperture, and it has a larger 1/1.1-inch sensor with up to 13.5 stops of dynamic range, improved cold-weather endurance, smarter audio, faster charging, 50GB of internal storage and a brand-new 4K Custom Mode designed for multi-platform creators.

It also launches at a slightly higher price than the Action 5 Pro did at release. So, is the Action 6 a meaningful upgrade, or is the 5 Pro still worth hanging on to? Let’s break down every key change in DJI’s most advanced compact cameras to date.

DJI Osmo Action 6 vs Action 5 Pro

Price and value for money

At launch, the DJI Osmo Action 5 Pro entered the market as a premium but accessible flagship, priced at around £329 in the UK, €379 in Europe, $349 in the US and approximately AU$599 in Australia.

Fast-forward to now, and the Action 5 Pro is being sold for significantly less than its original RRP. In the UK, it regularly dips to £250–£270, marking a substantial saving over launch and reshaping the conversation around its value.

Equivalent discounts can be found in other regions, with EU prices falling well below the €300 mark, US pricing often landing around $299, and Australian stock coming in notably under AU$500 depending on retailer and availability.

The Osmo Action 6 arrives with more or less the same RRP. The Standard Combo is set at £329 in the UK, €379 in Europe, and expected to land around $379 in the US (if it ever launches there) and AU$649–699 in Australia. Its pricing keeps it in the upper mid-range of the action camera market.

When considered purely on price, the Action 5 Pro is undeniably cheaper and delivers remarkable value, especially at its current reduced street prices. But when factoring in the leap in capability, longevity, and creative flexibility, the Action 6 offers more per pound (per dollar, per euro) spent, particularly for those who care about image quality and future-proofing.

Both cameras are available via DJI's online store, as well as third-party retailers.

Winner: Tie. The Osmo Action 6 provides better long-term value thanks to its far broader feature upgrade, but for the reduced price, the Action 5 Pro is one of the best value-for-money action cameras right now.

Design and build quality

The DJI Osmo Action 5 Pro and Osmo Action 6 share a familiar design language. The Action 5 Pro has a compact, durable chassis weighing 146g, waterproofing to 20 metres without a case (and 60 metres with one), and dual HDR touchscreens with excellent brightness and colour accuracy.

Its front 1.46-inch display and larger 2.5-inch rear screen are both P3-wide-gamut panels capable of hitting up to 1,000 nits peak – no wonder the Action 6 uses the exact same screen setup. The physical quality of the Action 5 Pro feels premium, solid in hand and when mounted onto helmets or bikes.

On the other hand, the Osmo Action 6 is slightly heavier at 149 g but has roughly the same physical dimensions (72.8 × 47.2 × 33.1 mm), maintaining the compact footprint of its predecessor while packing in more capability.

DJI has given the new camera a more thermally efficient internal architecture, allowing it to sustain higher frame rates for longer without heat throttling, a subtle but important improvement for anyone shooting 4K or using slow-motion modes.

Waterproofing remains just as strong, with an IP68 rating enabling 20-metre dives without a case. However, the Action 6 adds smarter underwater capabilities thanks to its built-in colour-temperature sensor and dedicated dive data logging. This makes underwater footage look more natural straight out of the camera.

The cold-weather improvements are also significant, with the Action 6 rated for reliable operation down to –20°C, a noticeable step up from older models and a major advantage for skiers, mountaineers and winter trail riders.

The Action 6 has an updated magnetic mount, allowing you to switch directions without moving the mount itself. The newer model also benefits from accessory compatibility with new add-ons such as the FOV Boost Lens and Macro Lens, both designed to attach to the updated front plate.

Ultimately, both cameras are tough, dependable and well thought out. But the Osmo Action 6 builds on the 5 Pro’s foundation with improved thermal performance, cold-weather resilience, expanded accessory compatibility and smarter underwater imaging.

Winner: the Osmo Action 6 is a stronger, more refined and more adventure-ready evolution of the Action 5 Pro.

Features

The DJI Osmo Action 5 Pro arrived on the scene in 2024 with one of the strongest feature sets of any compact action camera. Its 1/1.3-inch CMOS sensor delivers detailed, dynamic footage, while its 155-degree ultrawide lens maintains impressive clarity.

The camera offers 4K recording at up to 120 fps in 4:3, strong low-light performance through SuperNight mode, and slow-motion performance that holds up even in demanding conditions. It includes Hyperlapse, Timelapse and Subject Tracking.

Importantly, the Action 5 Pro also features a colour-temperature sensor built into the front plate, enabling better underwater colour reproduction straight out of the camera. And crucially, it uses the same stabilisation algorithms later carried over into the Action 6: RockSteady 3.0, RockSteady 3.0+, HorizonBalancing and HorizonSteady.

The Osmo Action 6’s most notable upgrade is its variable aperture system, the first of its kind on an action camera, which lets you dynamically switch between f/2.0 and f/4.0. This enables stronger low-light performance and the option for creative shallow depth-of-field effects when using the Macro Lens accessory (although the minimal focusing distance is 20cm, so don’t expect miracles).

The new 1/1.1-inch square sensor expands dynamic range to a claimed 13.5 stops, improving highlight retention and shadow detail. DJI’s new 4K Custom Mode also debuts here, letting users shoot once and crop later into vertical, horizontal or square formats, a major workflow advantage for multi-platform creators.

While the Action 5 Pro already offered strong stabilisation, the Action 6 refines subject tracking behaviour and introduces gesture control (ala Insta360 Ace Pro 2), making hands-free operation far easier. The audio system is also expanded, with support for dual direct DJI mic transmitters without needing a receiver, perfect for interviews, two-person vlogs or capturing ambient sound alongside narration.

The Action 5 Pro remains one of the most capable action cameras of its generation, but the Action 6 brings several first-time features, superior sensor technology and a more advanced creator ecosystem.

Winner: Osmo Action 6, thanks to its variable aperture, upgraded sensor and multi-platform shooting flexibility.

Battery life and charging

The Action 5 Pro uses a 1,950 mAh battery rated for up to 240 minutes of recording in controlled conditions when shooting at 1080p/24 fps. In general use, especially in higher resolutions like 4K/60 or 4K/120, runtimes drop, but the camera remains reliable for extended sessions.

Charging the Action 5 Pro via USB-C is reasonably quick, though not particularly fast by current standards. Most users will typically carry one or two spare batteries to comfortably cover a day of mixed shooting.

The Osmo Action 6 retains a 1,950 mAh Extreme Battery, but its improved power efficiency, enhanced thermal management and updated processing pipeline allow it to stretch runtimes further.

DJI claims up to four hours of continuous shooting in 1080p/24, which matches the Action 5 Pro’s numbers on paper but feels more achievable in real-world use thanks to reduced overheating and better control of internal temperatures.

The biggest upgrade is charging speed: the Action 6 can fast-charge to 80% in around 22 minutes, which is a substantial improvement for creators who need to get back out the door quickly.

While the Action 5 Pro delivers solid longevity and dependable cold-weather behaviour, the Osmo Action 6’s faster charging, more efficient operation and superior thermal stability give it a noticeable advantage for demanding creators.

Winner: Tie. The Osmo Action 6 introduces some updates, most notably faster charging speeds, but overall, both cameras last more than long enough on a single charge.

Storage and connectivity

The Action 5 Pro includes 64GB of internal storage, with around 47GB usable, which is super practical for shooting when you forget a microSD card or need overflow space during longer sessions.

It supports microSD cards up to 1TB, and its combination of Wi-Fi 6 and Bluetooth 5.1 enables quick, reliable wireless transfers. Connectivity is otherwise straightforward: you have standard USB-C for data and charging, plus support for external microphones via compatible adapters.

The Osmo Action 6 has 50GB of internal storage, still enough for 4K recording when shooting without a card. Where the Action 6 clearly pulls ahead is audio and wireless integration: it supports direct connection to two DJI mic transmitters without a receiver, making it a stronger choice for interviews, moto vlogging, travel content and multi-person recordings.

Winner: Tie. The Action 6 introduces some improvements, but the Action 5 Pro is still more than capable enough in most use cases.

Verdict

The DJI Osmo Action 6 is a genuinely more capable camera in almost every meaningful area. The introduction of a variable aperture opens up creative possibilities that simply didn’t exist on any action camera before it.

The new 1/1.1-inch sensor delivers richer dynamic range, cleaner shadows and more natural highlight roll-off. Faster charging, more reliable cold-weather behaviour and direct dual-mic support all contribute to a camera that feels dramatically more versatile, more polished and more “pro-ready” than its predecessor.

However, the Osmo Action 5 Pro remains far from obsolete. Its price drop alone makes it one of the best value-for-money action cameras available today. Its image quality is still excellent, its stabilisation performance holds up against newer models, and its 47GB of usable internal storage is a rare convenience.

For most non-professional users, including travellers, commuters, cyclists and vloggers who want a dependable camera without stretching their budget, the Action 5 Pro remains an incredibly sensible buy. In day-to-day use, it still delivers the core DJI experience: reliable footage, flexible shooting modes, strong stabilisation and a compact, rugged build.

For creators who want the very best image quality, regularly shoot in mixed lighting, need a single clip to serve multiple platforms, or rely heavily on wireless audio, the Action 6 is unquestionably worth the upgrade. For everyone else, especially those buying their first DJI model, the Action 5 Pro at its current pricing is still an exceptional piece of kit.

Alternatively, beginner users should also consider the DJI Nano, or a compact action cam from one of the rivals, such as the Insta360 Go 3S or the latest GoPro Hero.

The dust hasn’t even settled on the DJI Neo 2 launch, but the brand is back with another huge release: the successor of the DJI Osmo Action 5 Pro, which was released in September 2024. Despite the comparatively short gap between the two, the Osmo Action 6 includes a ton of exciting updates, including variable aperture, a first in action cams.

I don’t want to get ahead of myself, but it’s safe to say that the Action 6 is one of the best action cameras right now. I really enjoyed using its predecessor, and the new model is better in almost every way (apart from the battery life, which was impressive to begin with).

DJI took a leaf out of GoPro’s design book and introduced two new lens attachments – Marco Lens and FOV Boost Lens – aiming the Action 6 squarely at professional creators. It can do so because the brand-new DJI Nano offers an option for beginners, allowing the company to move the Action Series up a notch in terms of performance and features.

The variable aperture is quite a technical feat, but don’t expect footage to look like it was shot on a Fujifilm camera. The wider f/2.0 aperture lets in lots of light, which makes night shots look less fuzzy, but the depth of field isn’t on par with larger cameras, purely because of the difference in sensor and optical unit size – just trying to manage expectations here.

The Osmo Action 6 is an impressive piece of technology, and there is a lot to unpack here, so let’s get right to it!

DJI Osmo Action 6 review

Price and availability

The DJI Osmo Action 6 launched on 18 November 2025 at £329 for the Standard Combo and £415 for the Adventure Combo, and both configurations are available immediately through DJI and general retail channels. This keeps the camera firmly in the mid-to-upper price bracket for action cameras, but still below the highest flagship pricing seen elsewhere.

At present, the Osmo Action 5 Pro tends to retail for around £265 in the UK for the Standard Combo, reflecting the typical price drop that follows a new-generation launch. This places the older model noticeably below the Osmo Action 6, making it a more affordable option for buyers who do not need the latest features (while stocks last, of course).

In comparison, the GoPro Hero 13 Black currently sells for roughly £270 in the UK, depending on retailer promotions. This makes GoPro’s latest model slightly cheaper than the Osmo Action 6 at its launch RRP. Meanwhile, the Insta360 Ace Pro 2 sits higher than both at around £300, keeping it positioned as one of the more premium-priced alternatives on the market.

Design and build quality

DJI has refined the Osmo Action 6 into a sturdier, more technically ambitious camera while keeping the footprint familiar. The new model measures 72.8 × 47.2 × 33.1 mm and weighs 149 g, making it slightly heavier than the Action 5 Pro’s 145 g.

Much of this is due to the re-engineered lens housing, which now supports a variable aperture mechanism and a new family of interchangeable front lenses. The camera’s optical assembly has been redesigned from the ground up to accommodate these features, resulting in a denser, more robust front section than its predecessor.

The interchangeable lens system represents one of the biggest physical changes to the Action series to date. DJI now offers a Macro Lens that reduces the minimum focus distance to around 20 centimetres.

The Macro Lens has a manual focus ring, which is a nice touch. However, there is no focus peaking on the Action 6 (yet), making it tricky to tell where the focus is using the action cam's small displays. The GoPro Hero 13 Black offers this feature, and I’m sure DJI will introduce it later via a software update. For now, though, you just have to hope that the focus is where you want it to be.

The other new add-on is the FOV Boost Lens, which expands the native field of view from 155° to 182°. Just like the Macro Lens, it can be switched without a tool. For comparison, the Hero 13 Black with the Max Lens Mod 2.0 delivers a maximum FOV of 177°, while Insta360’s Ace Pro 2 offers a maximum FOV of 157° with its standard lens.

The reinforced optical mount allows the variable aperture to operate reliably while maintaining airtight sealing for underwater use. This is especially important given the camera’s ability to withstand depths of up to 20 metres without a case.

The main body retains DJI’s familiar rectangular profile, but it feels more solid and better sealed. The waterproofing is supported by improved internal pressure-gauge integration for more accurate underwater depth and duration data.

The Action 6 is also cold-resistant down to –20°C (–4°F), and the strengthened chassis helps protect the new square 1/1.1-inch sensor inside, offering up to 13.5 stops of dynamic range. The dual touchscreens remain, but the rear display isn't flippable like the Insta360 Ace Pro 2.

A significant physical improvement comes from the updated magnetic mounting system. The Action 5 Pro could only be attached to DJI’s quick-release mount in a single orientation, limiting how quickly you could reposition the camera.

The Action 6 now supports both forward and rearward installation, allowing you to flip the camera’s direction without changing mounts. This small mechanical change has a big impact on practical shooting, especially for activities like cycling and skiing, where rapid repositioning matters.

Features and video performance

The Osmo Action 6 represents DJI’s most ambitious leap in image performance, driven primarily by the introduction of a variable aperture, which fundamentally changes how an action camera behaves in challenging lighting. This new system allows the camera to switch between f/2.0 and f/4.0 depending on the scene, giving it far greater control over light intake and depth of field.

At its widest setting, f/2.0 doubles the incoming light compared with the Action 5 Pro, which immediately boosts low-light capability, reduces noise and allows the shutter to remain steady enough to maintain stabilisation.

The DJI Osmo 360 has exceptional low-light capabilities, and the Osmo Action 6 inherited the ‘Supernight’ mode, which essentially turns night scenes into daylight. This works even better with the wider aperture, which lets in a ton of light.

The aperture also adapts dynamically. For vlog-style recording, the camera can tighten the aperture (up to f4.0) to keep the subject in focus at close range, further enhanced by the redesigned optical assembly that reduces the minimum focus distance to 20 centimetres at the aperture.

It’s hard not to talk a little bit about physics to understand what the different focal lengths mean. DJI says that in the case of its previous-generation action camera, which has a 1/1.3-inch sensor and an f/2.28 aperture, the design had already reached the physical limits of what was possible while maintaining an all-purpose depth-of-field control.

To achieve a larger aperture and maintain the relatively short focusing distance, the brand had to increase sensor size – otherwise, with the larger aperture, the focusing distance would have gone through the roof.

Dynamic switching allows the Action 6 to be the best of both worlds: let in more light in low-light conditions while retaining the relatively short minimum focusing distance in selfie mode, which is increasingly important in the age of social media and vlogging.

When switched to f/4.0, the camera can produce a ‘starburst’ effect around point light sources, thanks to the aperture blades. It’s not quite the smooth bokeh you get when you use a mirrorless camera or a DSLR, but it opens up more creative avenues, especially in low-light scenarios.

The larger square sensor enables 4K-by-4K recording, letting you shoot once and extract both landscape and portrait videos without sacrificing sharpness or field of view. The format also reduces cropping when using HorizonSteady and other stabilisation features, making high-motion footage look cleaner and more cinematic.

Slow-motion performance has also improved. The camera supports 4K/120fps recording and can generate extremely smooth 1080p super slow motion by intelligently interpolating frames. Additional features such as subject tracking, 2x lossless zoom, and natural-wide FOV processing round out the camera’s creative toolkit.

Battery life and charging

Despite introducing a variable-aperture system, a larger 1/1.1-inch square sensor, and a redesigned optical assembly, DJI has maintained battery endurance that rivals or exceeds that of competing models. Officially, the Osmo Action 6 achieves up to four hours of runtime under controlled conditions (1080p@24fps (16:9) video with RockSteady on).

The camera uses the same battery platform as the Action series, which keeps things simple for existing DJI users who already own multiple batteries. Retaining cross-compatibility here is a strategic benefit, especially for creators who rely on a collection of spares for long shooting sessions.

The new model’s runtime is particularly impressive considering the larger sensor and new processing demands; low-light performance improvements, 4K-by-4K recording and advanced stabilisation typically draw more power, yet DJI has managed to keep the battery endurance stable through the efficiency gains of its internal architecture.

The Action 6 can reach approximately 80 per cent charge in around 22 minutes using fast charging, which makes topping up between sessions far easier. The fast-charge rate means the camera can be revived quickly during transitions, allowing you to continue recording without worrying about long recharge times.

The Multifunctional Battery Case is included with the Adventure Combo and can further speed up charging. Like before, this accessory allows users to charge multiple batteries simultaneously and safely store them in cold environments where battery performance often suffers.

Verdict

The Osmo Action 6 feels like the moment DJI’s action-camera ambitions finally click into place. The variable aperture is the headline feature, and while it doesn’t magically turn an action camera into a mirrorless rig, it delivers genuinely useful gains in low-light performance and creative flexibility. Paired with the new square sensor, 4K-by-4K recording and improved minimum focusing distance, the Action 6 produces footage that looks cleaner and more adaptable than anything the series has offered so far.

The addition of interchangeable front lenses pushes the camera closer to a professional tool, and the redesigned mounting system and reinforced housing give the whole unit a more robust, polished feel. Battery life remains strong despite the increased processing demands, and fast charging makes it easy to keep the camera rolling during busy shoot days.

It’s not perfect. The lack of focus peaking holds back the Macro Lens accessory, and some creators may still lean toward GoPro for its mature accessory ecosystem. But as a complete package, the Osmo Action 6 is an outstanding step forward. DJI has built a camera that’s not just incrementally better than the Action 5 Pro, but meaningfully more capable, versatile and fun to use. This is one of the best action cameras you can buy right now.

DJI's action cameras have gained a lot of reputation over the years, thanks to their impeccable build quality, good shake reduction tech and excellent sensor technology. The brand's current best action camera, the Osmo Action 5 Pro, is currently the cheapest it's ever been at Amazon, selling for only £255.

Shop all Black Friday deals at Amazon

In case you don't want to do the math, that's £65 off for you. The action cam sold for £275 about a month ago, and it was £285 in August, so £255 is really the best price I've ever seen. And you get a lot of action camera for the price!

The DJI Osmo Action 5 Pro is built for creators who want premium video quality in a compact, durable body. It’s powered by a large 1/1.3-inch sensor that captures detailed footage with excellent dynamic range, giving you crisp results in bright sunlight and impressively clean performance in low light. It shoots up to 4K at 120fps for smooth slow-motion, with additional high-frame-rate modes available for ultra-fast action.

Dual OLED touchscreens make it easy to vlog, frame shots, and adjust settings, even in harsh outdoor lighting. DJI’s stabilisation system remains one of the best in the business, with advanced horizon-levelling ensuring your footage stays smooth and level, even during chaotic movement. The Action 5 Pro also packs robust subject-tracking and fast autofocus to help keep the action sharp.

It includes around 64GB of built-in storage plus a microSD slot, meaning you can start shooting immediately. Battery life is solid thanks to its high-capacity removable cell, and the camera is waterproof down to 20 metres without an external housing. It’s also designed to withstand cold temperatures, making it a reliable choice for winter sports and underwater adventures.

Insta360 is expanding its creator ecosystem with four (!) new videography bundles for its Leica-co-engineered model, and one accessory in particular is turning heads.

The new Pocket Printer, part of the Flash Print Bundle, is said to be the world’s first portable printer designed specifically for an action camera, giving the rugged Insta360 an unexpected Polaroid-style twist.

According to the company, the Pocket Printer connects directly to the Insta360 Ace Pro 2 or the Xplorer Grip Pro Kit, letting users print their favourite moments instantly, complete with Leica-branded watermarks.

It’s a playful, nostalgia-driven feature that taps into the instant-film revival while pushing the creative limits of what an action camera can do.

Polaroid nostalgia meets Leica precision

“With help from Leica, we’ve redefined the action camera,” said Insta360 co-founder and VP of Marketing Max Richter. “It’s no longer just for capturing thrilling action sports – it has become a creative tool for serious photography.”

The printer headlines a wider refresh of the Ace Pro 2 ecosystem.

The brand also introduced the Xplorer Grip Pro Kit, adding tactile zoom, exposure controls, and extended battery life.

There’s a new trio of Cinematic, Ultra Wide, and Close-Up lenses, offering more creative flexibility across shooting styles.

Two fresh Leica colour profiles (Eternal and B&W High Contrast) join the existing Natural and Vivid options.

The update also brings new film-style filters, including Retro Neon and Vintage Vacation.

All these extras are available with firmware update V2.0.3, free for every Ace Pro 2 user.

Four creator bundles, one clear direction

The Flash Print Bundle ($579.99) includes the Ace Pro 2, Xplorer Grip Pro Kit, Pocket Printer, Flip Screen Hood, and Classic Leather Case.

Other options include the Xplorer Pro Bundle ($519.99), Videography Bundle Limited Edition ($604.99), and Ultimate Videography Bundle ($739.99), each tailored for different creator workflows.

By blending Leica’s colour science with instant-print creativity, Insta360’s latest drop positions the Ace Pro 2 as a storytelling tool built for spontaneity and style.

All four bundles launch on 12 November 2025, with the Xplorer Pro Bundle available now via Insta360’s official site.

Insta360 just dropped a cryptic teaser for an Ace Pro 2 accessory that appears to turn the action cam into an instant printer.

The short video titled We’re Redefining the Action Camera shows an Insta360 Ace Pro 2 docked to a slot-loading base that spits out a small print seconds after the shutter is pressed.

The mounting looks identical to the slot-in system used on the company’s Xplorer Grip Kit, only this time the add-on seems to pack a thermal or instant-film printer.

The teaser ends with a date (November 12, 8 am EST) and a single word: Now.

The instant hit effect

Instant photography isn’t just a nostalgia kick – it’s selling. Fujifilm says cumulative sales of its Instax cameras have surpassed 100 million units, with the Consumer Imaging division reporting ¥65.2 billion in revenue last fiscal year, up 9.3% year-on-year, thanks to strong Instax demand.

Analysts peg the global instant/instant-print camera market at roughly $1.6 billion in 2023, projecting steady growth to around $2.5 billion by 2031 at a ~5–6% CAGR, which tracks with multiple market reads.

There’s cultural momentum, too. Fujifilm’s retro-leaning photo products have seen surging demand among younger creators, and the category keeps expanding with hybrid instant launches like the Instax Wide Evo.

All signs point to a healthy ecosystem for instant prints and fertile ground for a wild new form factor.

The clip suggests a grip-style base with a paper/film bay, physical shutter, and the Ace Pro 2 feeding it high-res stills.

If it’s thermal, expect clean, monochrome-friendly stickers. If it’s true instant film, think Instax-sized colour prints with that classic border.

Either way, pairing on-camera stabilisation and Leica-branded optics (and filters) with instant output would be a first for mainstream action cams.

Instant prints also unlock new workflows: shoot stabilised stills on the trail, hand friends a print at the trailhead, and still have the RAW/JPEG in your library for edits later.

With instant cameras trending up and hybrid models broadening the audience, Insta360’s “printable action cam” pitch lands in a hot moment.

Insta360’s teaser promises more on November 12 at 8am EST (1pm UK). For more info, head over to Insta360.

Best drone manufacturer DJI has unveiled the Osmo Mobile 8, a new smartphone gimbal designed to give creators more freedom.

It features a 360-degree horizontal pan rotation, a new ultra-comfortable grip for low-angle shots, and improved AI subject tracking that can now follow pets as well as people.

The gimbal runs on DJI’s seventh-generation, three-axis stabilisation system, keeping shots steady even during fast movement.

It weighs 370 grams, offers up to ten hours of operating time, and can even charge your phone while filming.

Smarter tracking and stronger audio

The Osmo Mobile 8’s headline update is its new Multifunctional Module, which magnetically clips onto the gimbal.

It adds a microphone receiver compatible with DJI Mic 3, Mic 2 and Mic Mini transmitters, as well as an adjustable fill light with eight brightness and colour-temperature levels.

Hand-gesture controls let you start or stop recording, switch subjects, or take photos without touching the phone.

The gimbal supports three advanced tracking systems. The first is Apple DockKit integration, allowing iPhone users to access tracking directly in the native Camera app or hundreds of compatible iOS apps.

The second uses the new Multifunctional Module to recognise and follow pets such as cats and dogs, which is a first for the Osmo Mobile line.

The third is DJI’s own ActiveTrack 7.0.1 system, accessed through the DJI Mimo app, which combines a phone’s wide and telephoto lenses to keep subjects locked in frame even in busy scenes.

A warm welcome (with caveats)

Early reviews have praised the OM8 for refining what mobile filmmakers already love about DJI’s gimbals.

Our sister site, Tom’s Guide, called it “a significant step forward” with “refined stabilisation, intelligent AI tracking, and ergonomic design,” adding that the new module “removes the need for extra accessories.”

The Verge described it as “a meaningful upgrade for smartphone filmmakers,” pointing out that its ability to track pets and deliver full 360-degree rotation “sets a new benchmark for mobile content creation.”

The overall consensus is that DJI hasn’t reinvented the smartphone gimbal, but it has made it smarter, smoother and more creator-friendly.

The DJI Osmo Mobile 8 is available now from DJI and authorised retailers.

It’s priced at £135 in the UK and from €159 in Europe, with accessories including the OM Magnetic Quick-Release Mount, DJI Mic Mini and OM 8 Tracking Kit sold separately. US and AU price and availability TBC.

GoPro’s third-quarter earnings call might have been light on profit, but it was heavy on promise.

Founder and CEO Nicholas Woodman described 2026 as “the year of GP3,” the long-awaited successor to GoPro’s GP2 chip (which came out in 2021), signalling what could be the brand’s most important technology leap in half a decade.

Speaking to investors, Woodman confirmed the new GP3 processor will debut next year across several new action cameras, marking “the debut of our line of GP3-based processors that’ll take GoPro and the industry to the next level of performance.”

CFO and COO Brian McGee called it a “market-leading” system-on-chip that will underpin GoPro’s next generation of imaging products, hinting at improved computational photography and on-device AI features.

“What we’re able to do with that from an imaging and innovation perspective is another area where we’re leading,” he said.

A strategic pause before the storm

If 2025 felt quiet, that was by design. GoPro didn’t release a new flagship HERO camera this year, a deliberate move that Woodman called “strategic in preparation for 2026 launches.”

The CEO explained that patience now would deliver “a significant upside in 2026,” describing the decision as a necessary breather before a wave of product diversification hits next year.

“We’ve got something special planned,” he told investors. “We appreciate market patience, and we think that this decision is going to significantly help us grow units, revenue, and profits in the first half of 2026. Pleasure delayed.”

More cameras, not fewer

The company is preparing to expand its range beyond a single “do-it-all” camera. “Traditionally, the Hero [see also: GoPro HERO 13 Black review] camera was a bit of a Swiss Army knife that did it all for everybody,” Woodman said.

“That was terrific for a time, but as consumer and professional demands have grown, we’ve seen the end customer want multiple tools, multiple cameras that help them achieve more specific capture scenarios.”

That shift will shape GoPro’s 2026 roadmap. The brand plans to introduce several new models across distinct categories, from next-gen flagships to 360 and lifestyle cameras, with new launches “steadily throughout the year,” rather than clustered around the holiday season.

McGee added that the company expects to grow revenue and units every quarter in 2026, forecasting adjusted EBITDA above $40 million as tariffs and costs stabilise.

A glimpse beyond action cameras

GoPro’s diversification push also extends outside the camera category. Its collaboration with AGV on tech-enabled motorcycle helmets remains underway, with Woodman describing it as part of the company’s “next wave of TAM expansion.”

Combined with the launch of the GoPro MAX 2, LIT HERO, and Fluid Pro AI Gimbal, this marks a significant broadening of GoPro’s hardware ambitions.

At the same time, its AI content-licensing initiative is gaining traction, with subscribers uploading over 270,000 hours of footage to train GoPro’s video models.

“We’re in discussion with several AI data licensees to address their demand for authentic real-world video content,” Woodman said, describing the program as a “meaningful opportunity over time for both our subscribers and GoPro.”

A comeback narrative in the making

For a company that’s spent the past few years shrinking to survive, the message from Woodman and McGee was clear: 2026 is the comeback year.

“We expect to build on this momentum in 2026 with the launch of several new, innovative, and differentiated products and services that we believe will lead to consistent quarterly camera unit and revenue growth,” Woodman said. “2026 will be the year of GP3.”

If it all goes to plan, next year could see GoPro shift from retrenchment to reinvention, finally giving its long-time fans a reason to upgrade again.

I recently read that DJI has launched more than 20 drones in the past three years, and that’s not even counting its action cameras, robovacs, and other gadgets.

Despite such a packed release schedule, the OSMO 360 still stands out as one of DJI’s most exciting launches this year, marking the brand’s first-ever 360-degree action camera.

Launched only a few months ago, the DJI Osmo 360 camera delivers vibrant, immersive footage with excellent stabilisation and seamless stitching. And better still, it's currently £110.99 off at Amazon, weeks ahead of Black Friday.

The DJI Osmo 360 features dual 1-inch HDR sensors, which is a huge leap in image quality for a 360° camera, delivering superb detail, dynamic range, and low-light performance.

You can shoot crisp 8K 360° video at up to 50 fps or ultra-sharp 120-megapixel stills, while those who prefer traditional footage can switch to single-lens mode for a wide 170° field of view and frame rates up to 4K at 120 fps.

The Osmo 360 also includes 128GB of internal storage, with support for microSD expansion up to 1TB, so you won’t need to worry about running out of space on long adventures.

DJI’s stabilisation tech – trained on some of the best drones available now – keeps footage smooth and horizon-level even in fast-moving scenes, and the camera’s rugged, waterproof build can handle dives up to 10 metres without additional housing.

Despite its advanced features, it weighs just 183 grams, making it an ideal travel companion. For content creators, vloggers, or anyone who wants immersive, cinematic footage with minimal setup, the DJI Osmo 360 is one of the most versatile options on the market.